Department of English
Graduate English Doctoral Alumni
Please contact our Graduate Coordinator for updates to this page.
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Meredith Ackley |
Gerald Clifford Weales | The Plays of Lillian Hellman |
Robert C. Bennett |
Arthur Hawley (Joe) Scouten | Fielding and the Satiric Dance |
Robert Boyer |
Herbert Howarth | Anglo-Saxon and Middle English Influences in the Poetry of W. H. Auden |
Geoggrey Carter |
Clyde de Loache Ryals | Carlyle's Use of Metaphor in His Essays |
Ronald T. Curran |
Daniel Hoffman | Hawthorne as Gothicist |
Norma Joyce Engberg |
James L. Rosier | A Study of Late Ninth Century Old English Word Order Based on Comparison of Selected Prose Texts |
Mera Oxenhorn Flaumenhaft |
Gerald Clifford Weales | A Critical Study of the Plays of John Arden |
Norman T Gates |
Herbert Howarth | The Poetry of Richard Aldington: Its Value and Influence |
Sarah S Getty |
James L. Rosier | An Edition, with Commentary, of the Latin/Anglo-Saxon Liber Scintillarum |
Edward E Gibbons |
Frederick Lafayette Jones | The Conversation Poems of Samuel Taylor Coleridge |
Sister Agnes David Gunn |
James Gordon | Accidia and Prowess in the Vernon Version |
William H. Hardesty |
Herbert Howarth | Joseph Conrad: The Last Seven Years |
Paul Hissiger |
Robert M. Lumiansky | An Edition of Le Morte Arthur |
Robert D Hume |
Maurice O. Johnson | Dryden's Criticism |
Larry D Kelly |
Frederick Lafayette Jones | Byron Biography: 1822-1830 |
Elizabeth M Kist |
James L. Rosier | The Stylistic Development of John Donne's Sermons |
Howard Koonce |
Arthur Hawley (Joe) Scouten | Comic Values and Comic Form: The Restoration Comedy of Manners in Its Tradition |
John G Kuhn |
Gerald Clifford Weales | A Critical Examination of James Nelson Barker's "Superstition" or, "The Fanatic Father" |
Stanley W Lindberg |
Arthur Hawley (Joe) Scouten | Johnsonian Irony from the Gentleman's Magazine to Rasselas |
William Lockwood |
Humphrey Tonkin | The Philosophical Element in the Lyrical Writings of Sir Walter Ralegh |
Sister Evelyn Joseph Mattern |
Matthias Adam Shaaber | A Survey of the Criticism of Shakespeare's "As You Like It" |
John H Meister |
Robert Earnest Spiller | The Descent of the Irrelative One: The Metaphysics of Cosmology of Edgar Allan Poe's Eureka |
John M Pratt |
George Malcolm Laws | Byron and the Stream of Wit |
J. Edward Schamberger |
Theodore Hornberger | Scottish Common Sense Philosophy in New England Transcendentalism |
Elizabeth Sklar |
Robert M. Lumiansky | England's Arthur: A Study of the Middle English Poem |
Robert F Smith |
Harold Saegar Stine | E.M. Forster Transfigured: A Study in Prose Stylistics |
Lee L Snyder |
Harold Saegar Stine | The Old English Dialect Boundaries: Some Place-Name Evidence |
Stephen J. Spector |
Clyde de Loache Ryals | The Poetry of Dante Gabriel Rossetti and the English Romantic Tradition |
Clarence Steinberg |
James L. Rosier | Some Medieval Traditions of Etymological Characterization |
Thomas Thompson |
John Mark Longaker | Patterns of Imagery in the Poetry of Dylan Thomas |
Candadai K Tirumalai |
Morse Peckham | Continuity and Development in the Thought of Walter Pater |
Richard A Wetime |
Matthias Adam Shaaber | Identities in Crisis: A Study of Antony and Cleopatra |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Thomas D. Absher |
James L. Rosier | Metamorphosis in John Lyly's Plays |
James E. Barcus |
Catherine Kaki Marshall | The Homogeneity of Structure and idea in the Prose of Samuel Taylor Coleridge |
Howard Benoist, III |
Maurice O. Johnson | A Study of Samuel Richardson's A Collection of the Moral and Instructive Sentiments, Maxims, Cautions, and Reflexions, Contained in the Histories of Pamela, Calrissa, and Sir Charles Grandison--1755 |
Dirk R. Budd |
Herbert Howarth | The Vicissitudes of the Osborne Protest from 1956 to 1964 |
Philip Buehler |
Harold Saegar Stine | A Glossary of the Middle English Genesis and Exodus |
Carolyn Burrows Matalene |
Maurice O. Johnson | The Faces of Chronos: Temporal Innovations in Techniques of the Novel |
Agnes Dicken Cannon |
Hennig Cohen | Melville's Search for Poetic Theory, Technique, and Themes |
Helen Lutton Cohen |
James L. Rosier | Studies in the Structure of Selected Old English Poems |
Walter Creed |
Gerald Clifford Weales | Contemporary Scientific Concepts and the Structure of Lawrence Durrell's Alexandria Quartet |
Norma Dunn |
Theodore Hornberger | Ellen Glasgow's "Search for Truth" |
Ralph Flood |
Morse Peckham | A Study of the Style of John Ruskin's Fors Clavigera |
David O. Frantz |
James L. Rosier | Concepts of Concupiscence in English Renaissance Literature |
Sister Rosalie Marie Funchion |
Frederick Lafayette Jones | Horace Smith: Life and Works |
John D. Garvick |
Maurice O. Johnson | Chaos and Continuity in Smart's Jubilate Agno |
Kelley E. Griffith, Jr. |
Theodore Hornberger | The Genteel Romance in American Fiction, 1870–1910 |
Donald E. Herdeck |
Daniel Hoffman | The Golden Bitch |
Sister Marian Wm. Hoben |
Robert M. Lumiansky | John Gower's Confessio Amantis: A History of the Criticism and a Critical Analysis |
Louis G Jennings |
Harold Saegar Stine | A Study of the Old English Noun in Later English |
Harold J Kane |
Harold Saegar Stine | A Critical Edition of the Prickynge of Love |
John Kay |
Arthur Hawley (Joe) Scouten | Swift's Project for the Advacement of Religion and Its Background |
Carol A Kyle |
Robert Earnest Spiller | The Theme of "Knowledge" in the Poetry of Robert Frost |
Irving Tracy Lord |
Tristram Potter Coffin | English Ballad Collecting and Editing from 1898 to World War II |
Alan T McKenzie |
Maurice O. Johnson | The Scriblerian Poems to Gulliver's Travels |
G. Harold Metz |
Matthew Wilson Black | The Two Merry Milkmaids edited with an introduction and notes |
Bertram Mott |
Hennig Cohen | Mark Twain and Calvinism |
Dominic O’Brien |
Theodore Hornberger | Bret Harte: A Survey of the Criticism of His Work, 1864-1964 |
Philip M Park |
Peter B. Murray | An Edition of Thomas St. Serfe's Tarugo's Wiles; or The Coffee House, 1667 |
Raymond C Phillips |
Theodore Hornberger | Francis Marion Crawford |
F. Lannon Smith |
Robert Lucid | Man and Minister in Recent American Fiction |
Elizabeth Turner Pochoda |
Robert M. Lumiansky | Sir Thomas Malory's Thematic Use of Medieval Theories of Government and History |
Edward L Wolfe |
Morse Peckham | A Critical, Annotated Edition of Robert Browning's "Dramatic Idyls, First Series," and "Dramatic Idyls, Second Series" |
William C Woodson |
Allan G. Chester | The Seared Conscience: A Study of the Credibility of Elizabeth Villains |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Susan Archer Cockcroft |
Robert Earnest Spiller | Hawthorne's Use of Spenser |
Henry J Dane |
Arthur Hawley (Joe) Scouten | The Life and Works of Henry Carey |
Paula Duffey Robison |
Herbert Howarth | Form and Meaning in the Novels of George Orwell |
J. Thomas Dwyer |
Theophilus Ernest Martin Boll | Joyce Cary's Critical Theory and its Relationship to the Development of His Fiction |
Wilma B Hall |
Robert Earnest Spiller | The Moral Significance of Land and Landscape in the Novels of James Fenimore Cooper |
Frederic Jacobs |
Herbert Howarth | The Reputation of Ford Madox Ford |
Helmuth Joel |
Maurice O. Johnson | Oliver Goldsmith and the Theme of Education |
Ann S Johnson |
Herbert Howarth | Lawrence Durrell's "Prism-Sightedness": The Structure of The Alexandria Quartet |
Richard E Lautz |
Catherine Kaki Marshall | Bulwer-Lytton as Novelist |
Cynthia S Matlack |
Arthur Hawley (Joe) Scouten | Abstract Dramatic Techniques in the Plays of William Wycherley |
John F Norton |
Arthur Hawley (Joe) Scouten | A Critical Edition of The Pleasures of Imagination (1744) by Mark Akenside |
Margaret E Osborn |
Gerald Clifford Weales | The Concept of Imagination in Edwardian Drama |
David L Powell |
Morse Peckham | Robert Browning's Dramatis Personae: A Variorum Text |
Joel H Roache III |
Robert Lucid | Richard Eberhart: Poet in America, 1904-1961 |
Joseph Sigman |
Morse Peckham | Idea and Image in Thomas Carlyle's Sartor Resartus |
Harry C Staley |
John Mark Longaker | James Joyce and the Catechism |
Richard A Yoder |
Robert Earnest Spiller | Emerson's Poetry |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Peter S Bracher |
Hennig Cohen | Dickens and His American Readers, 1835-1870 |
William J Bruehl |
Gerald Clifford Weales | The Auden/Isherwood Plays |
Gayle Byerly |
Edward B. (Ted) Irving | Compounds and Other Elements of Poetic Diction Derived from an Oral-Formulaic Poetic Tradition: A Comparison of Aeschylus and the Beowulf Poet |
Ruth E. Coplan |
Tristram Potter Coffin | A Study of Predominant Themes in Best-Selling American Fiction, 1850–1915 |
William A. Dumbleton |
Herbert Howarth | The Literary Relationship of Robert Bridges to Gerard Manley Hopkins, 1889–1900 |
Herman Laurence Eisenlohr |
Arthur Hawley (Joe) Scouten | The Development of Thoreau's Prose |
Norman K. Farmer |
Allan G. Chester | Fulke Greville's "Caelica" |
Delmont F. Fleming |
Theodore Hornberger | Humor in the Works of Thomas Wolfe |
Virginia A. Hallam |
Robert Earnest Spiller | The Critical Reception of F. Scott Fitzgerald |
William H. Ingram |
Arthur Hawley (Joe) Scouten | Greek Tragedy and the Augustan Stage: Dennis, Theobald, Thomson |
John C. Kleis |
Catherine Kaki Marshall | The Narrative Persona in the Novels of Thackeray |
Harry M. Logan |
Harold Saegar Stine | The Dialect of "The life of St. Katherine": A Linguistic Study |
William J. Lynch |
Robert Earnest Spiller | The Theory and Practice of the Literary Criticism of James T. Farrell |
Lynn Martin |
MacEdward Leach | Sir Thomas Malory's Vocabulary in "The Tale of Arthur and Lucius," The Tale of Sir Garteh," and "The Tale of the Sankgreal": A Comparative Study |
Ann T. Matonis |
James L. Rosier | Sir Gawain and the Green knight: Characterization and Structural Motifs |
Joseph P. McGowan |
Gulliver's Third Voyage: Survey and Revaluation | |
David E McKenty |
Arthur Hawley (Joe) Scouten | The Benefit System in Augustan Drama |
John S Mizner |
Morse Peckham | The Works of Israel Zangwill, 1864-1926 |
Better Jean Morley Ingram |
Allan G. Chester | A Critical Edition of Stephen Hawes's "The Example of Virtue" |
Philip H. Pfatteicher |
Matthew Wilson Black | The Life and Writings of John Austin |
Kathleen Swaim |
Maurice O. Johnson | Swift's Narrative Art: A Study of the Imagery and Structure of "Gulliver's Travels" |
Ralph R Thornton |
Arthur Hawley (Joe) Scouten | The Wives Excuse by Thomas Southerne: A Critical Edition |
Alice Wing-shin Wu Chen |
Theophilus Ernest Martin Boll | The Mind of George Eliot |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Alberta Gregg Barrett |
Arthur Hawley (Joe) Scouten | Plot, Characterization, and Theme in the Plays of Aphra Behn |
John Charles Berkey |
Morse Peckham | "Sordello," by Robert Browning: A Variorum Text |
John Bradbury Brooks |
Matthew Wilson Black | 'The Phoenix' by Thomas Middleton: A Critical, Modernized Edition |
Anthony James Eustace |
Arthur Hawley (Joe) Scouten | Defoe's Many Voices |
Raymond Fitch |
Morse Peckham | The Golden Furrow: John Ruskin and the Greek Religion |
Alice Bradley Griffin Markow |
Harold Saegar Stine | The Language of Sir Thomas Wyatt |
George S Hastings |
Harold Saegar Stine | Two Aspects of Style in the AB Dialect of Middle English |
Vernon L Ingraham |
Gerald Clifford Weales | The Verse Drama of Charles Williams |
Sister Mary Xavier Kirby |
Theophilus Ernest Martin Boll | The Writings of Evelyn Underhill: A Critical Analysis |
Donald Bruce McKenzie |
Arthur Hawley (Joe) Scouten | Parnassus Rejected: Dr. Samuel Johnson and the 18th Century Pastoral |
John Patrick Reddington |
Matthew Wilson Black | Repetition and Development in Shakespeare's Plot Situations |
Allen G Shepherd III |
Theodore Hornberger | A Critical Study of the Fiction of Robert Penn Warren |
Paul Clinton Sherr |
Gerald Clifford Weales | Political Satire in the American Musical Theatre of the 1930s |
Lazoras Anastasios Varnas |
Harold Saegar Stine | The Language of the Parker Chronicle |
Robert Edwin Wilkinson |
Theodore Hornberger | A Study of Theodore Dreiser's "The Financier" |
George Jacob Willauer |
Edward Sculley Bradley | Incongruity in Selected Works of Nathaniel Hawthorne |
Theodore Wood |
Arthur Hawley (Joe) Scouten | Early Definitions of the Sublime |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Peter M Bauland |
Robert Earnest Spiller | German Drama on the American Stage: 1894-1961 |
John Raban Bilder |
Maurice O. Johnson | The Minor Tradition in English Prose Fiction: The Novel of Ideas |
Robert Theodore Burcaw |
John Mark Longaker | The Poetry of Wilfrid Gibson |
Frederic Thomas Closs |
Robert Earnest Spiller | Symbol Cast in Steel: the Verse of H. MacKnight Black (1896-1931) |
John Watson Cummins |
Theophilus Ernest Martin Boll | Himself and Mr. Maxwell: The Life and Works of W.B. Maxwell |
Henry Dietrich Dyck |
Harold Saegar Stine | Language Differentiation in Two Low German Groups in Canada |
Harold Willard Gleason |
Arthur Hawley (Joe) Scouten | George Crabbe as a Satirist |
Irwin Gopnik |
Maurice O. Johnson | Verbal Structure and Richardson's "Clarissa" |
Ann Sullivan Haskell |
Harold Saegar Stine | The Representation of Gullah--Influenced Dialect in Twentieth Century South Carolina Prose |
Wallace Jackson |
Arthur Hawley (Joe) Scouten | Immediacy: The Development of a Critical Concept from Addison to Colerdige |
Charles Anthony Knight |
Maurice O. Johnson | "Clarissa:" A Critical Analysis |
Claude William LaSalle II |
Theodore Hornberger | Thomas Wolfe: The Dramatic Apprenticeship |
Joseph A Leo Lemay |
Theodore Hornberger | A Literary History of Colonial Maryland |
John Morrissey LeRoy |
Arthur Hawley (Joe) Scouten | The Erotic Pursuit: Changing Fashions in Eroticism in Early Eighteenth Century English Comic Drama |
Robert Enzer Lewis |
Robert Armstrong Pratt | Chaucer and Pope Innocent III's De Miseria Humane Conditionis |
George Foster McFarland |
Morse Peckham | The Early Literary Career of Julius Charles Hare, 1818-1834 |
Robert L Mortenson |
Catherine Kaki Marshall | Lord Byron's Cain, A Mystery: A Variorum Edition |
Kenneth Bernard Newell |
Morse Peckham | Strucutre in H. G. Wells' Dickensian Novels |
Irene Morris Reiter |
Theodore Hornberger | A Study of James T Farrell's Short Stories and their Relation to his Longer Fiction |
Simeon Mozart Smith Jr |
Theodore Hornberger | Carson McCullers: A Critical Introduction |
Joseph Solimine |
Clyde de Loache Ryals | Tennyson and the Tradition of Burke |
Harold Ray Stevens |
Catherine Kaki Marshall | Byron and the Bible: A Study of Poetic and Philosophic Development |
Philip Eugene Williams |
Robert Earnest Spiller | The Biblical View of Hisotry: Hawthorne, Twain, Faulkner, and Eliot |
Douglas Lawson Wilson |
Robert Earnest Spiller | Santayana: The Poet in America |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Jack Lee Capps |
Hennig Cohen | Emily Dickinson's Reading 1836-1886: A study of the Sources of Her Poetry |
Sherod Monroe Cooper, Jr. |
Matthias Adam Shaaber | A Stylistic Study of the Sonnets of Astrophel and Stella |
Howard L. Hannum |
Maurice O. Johnson | Tobias Smollett: Fiction and Caricature |
William Floyd Helmer |
Harold Saegar Stine | Critical Estimates of Beowulf from the Early Nineteenth Century to the Present |
Thomas H. Helmstadter |
John Mark Longaker | The Apocalyptic Movement in British Poetry |
Donald Melton Hensley |
Gerald Clifford Weales | Burton Rascoe as Literary Editor and Critic |
Michael J. Hoffman |
Robert Earnest Spiller | The Development of Abstractionism in the Writing of Gertrude Stein to 1913 |
Frederic Griswold Hyde |
Theodore Hornberger | American Literature and the Spanish-American War: A Study of the Work of Crane, Norris, Fox and R. H. Davis |
Leroy C. Kauffmann |
Theodore Hornberger | The Influence of Friedrich Nietzsche on American Literature |
Wilson H Kimnach |
Theodore Hornberger | The Literary Techniques of Jonathan Edwards |
Richard A. J. Knowles |
Allan G. Chester | "As You Like It" and the Concept of Plot |
Irma Spritz Lustig |
Arthur Hawley (Joe) Scouten | Boswell's Portrait of Himself in 'The Life of Samuel Johnson' |
James Lawrence Missey |
Morse Peckham | Appearance and Reality in the Fiction of E. M. Forster |
Sujit Kumar Mukherjee |
Robert Earnest Spiller | Passage to America: The Reception of Rabindranath Tagore in the United States, 1912-1941 |
Manuel R. Schonhorn |
Arthur Hawley (Joe) Scouten | Defoe's Sources and Narrative Method |
Andress Taylor |
Arthur Hawley (Joe) Scouten | A Critical Edition of Richard Rhodes' "Flora's Vagaries" |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Arthur Harold Abel |
Harold Saegar Stine | AElfric and the West-Saxon Gospels |
Lawrence Ivan Berkove |
Theodore Hornberger | Ambrose Bierce's Concern with Mind and Man |
Frances Claudette Kemper Columbus |
Morse Peckham | Irony in Browning's "Fifine at the Fair" |
Robert Rudolph Columbus |
Morse Peckham | Robert Browning's Parleyings with Certain People of Importane in their Day: An Explication |
Lawrence Henry Conrad Jr |
Arthur Hawley (Joe) Scouten | Theophilus Cibber on the London Stage: 1703-1758 |
Herman Herbert Doh Jr |
Matthias Adam Shaaber | A Critical Edition of Fortune by Land and Sea |
James Patrick Dougherty |
Hennig Cohen | E.E. Cummings' "The Enormous Room" and its Relation to his Poetry |
Richard McClurg Fletcher |
Catherine Kaki Marshall | English Romantic Drama: 1795-1843. A Critical and Historical Study |
Carson Gibb |
Arthur Hawley (Joe) Scouten | Figurative Structure in Restoration Comedy |
Peter Bryant Murray |
Allan G. Chester | A Study of Cyril Tourneur |
Barry Slepian |
Maurice O. Johnson | Jonathan Swift and George Faulkner |
Terry Wing Smith |
Charles E. Boewe | "Exercises" Presented During the Commencements of the College of Philadelphia and Other Colonial Colleges |
Shirley Packard Stine |
Albert Croll Baugh | The Metrical Life of Christ: Edited from MS. B.M. Addit. 39996 |
James R Tinsley |
Arthur Hawley (Joe) Scouten | A Study of the Techniques of Modern American Force |
Paul Osborne Williams |
Robert Earnest Spiller | The Transcendental Movement in American Poetry |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
John A Bernstein |
Charles E. Boewe | Pacifism and Rebellion in the Writings of Herman Melville |
Bradford Browne Broughton |
MacEdward Leach | The Legends of King Richard I, Coeur de Lion: A Study of Sources and Variations to the Year 1600 |
Ernest Howard Hunter Davis |
Maurice O. Johnson | Social Satire in the Narrative Prose Fiction of the Early Eighteenth Century |
William Byron Dillingham |
Hennig Cohen | Themes and Literary Techniques in the Fiction of Frank Norris |
Herbert G Eldridge Jr |
Robert Earnest Spiller | A Study of Literary Ideals and Intentions in Philadelphia, 1783-1827 |
Hugh Douglas Ford |
John Mark Longaker | British Poetry of the Spanish Civil War |
Womble Quay Grigg Jr |
Robert Earnest Spiller | The Molds of Form: Comedy and Conscience in the Novels of Henry James |
Robert Hazen Hopkins |
Arthur Hawley (Joe) Scouten | The Creative Genius of Oliver Goldsmith |
Helen Louise Luyben |
Gerald Clifford Weales | James Bridie: Clown and Philosopher |
Russell Charles MacDonald |
Edwin Courtlandt Bolles | A. E. Coppard: A Critical Study of His Short Stories |
Fred Rankin MacFadden Jr |
Edwin Courtlandt Bolles | Charles Whibley's "Musings Without Method:" A Critical Selection Edited with Biography |
Donald Charles Mell Jr |
Maurice O. Johnson | Variations on Elegiac Themes: Dryden, Pope, Prior, Gray, Johnson |
Katharine Dealy Newman |
Morse Peckham | The Gentleman's Novelist: Robert Plumer Ward (1765-1846) |
Cecil Lloyd Patterson |
Hennig Cohen | A Different Drum: The Image of the Negro in the Nineteenth Century Popular Song Books |
Robert Anthony Peters |
Harold Saegar Stine | A Study of Old English Words for Demon and Monster and their Relation to English Place-Names |
Robert Baird Shuman |
Edgar Leroy Potts | Social Concepts in the Stage Plays of Clifford Odets |
John Hamilton Skilton |
Allan G. Chester | The Translation of the New Testament into English, 1881-1950: Studies in Language and Style |
Elizabeth Joan Smithers |
Gerald Clifford Weales | The Dramatic Method of Harley Granville Barker |
C. Jane Stegemann |
Allan G. Chester | A Poet's Use of Philosophy: A Study of the Religious Poetry of Henry Vaughan |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Colin Chandler Campbell |
Robert Earnest Spiller | The Poet as Artist and Citizen: A Study of the Life and Writings of Archibald Macleish through 1958 |
Mary Louise Washington Clark |
MacEdward Leach | The Folklore of the Cumberlands as Reflected in the Writings of Jesse Stuart |
Brother Patrick Ellis |
Maurice O. Johnson | A Critical Analysis of John Dryden's "The Hind and the Panther" |
Walter Kelly Gordon |
Frederick Lafayette Jones | A Critical Selected Edition of William Morris's Oxford and Cambridge Magazine (1856) |
Harold Jerome Herman |
MacEdward Leach | Sir Kay: A Study of the Character of the Seneschal of King Arthur's Court |
Diana Elizabeth Lestourgeon |
Edwin Courtlandt Bolles | The Novels of Rosamond Lehmann |
David Coleman Redding |
Matthias Adam Shaaber | Robert Bishop's Commonplace Book: An Edition of a Seventeenth -- Century Miscellany |
James Lee Sanderson |
Matthias Adam Shaaber | An Edition of an Early Seventeenth Century Manuscript Collection of Poetry (Rosenbach MS. 186) |
Mary Isabel Stephens |
Harold Saegar Stine | A Study of the Old English Preface |
George Austin Test |
Robert Earnest Spiller | The Vital Connection: A Study of the New Republic Magainze as a Literary Journal (1914-1922) |
Paul Warren Whitney |
Frederick Lafayette Jones | Robert Southey's Views on English Literature |