Department of English
Graduate English Doctoral Alumni
Please contact our Graduate Coordinator for updates to this page.
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Gerald A. Bello |
Gerald Clifford Weales | Myth Making in Beckett: A Study of the Proper Names in the Author's Work |
Jeffrey Erksine |
Carol L. Bernstein | The Rhetoric of the first Person Novel |
Neil Fraistat |
Stuart Curran | The Extended Poem: The Romantic Use of the Poetic Volume |
Pat C. Hoy II |
Alice van Buren Kelley | E.M. Forster: Pagan Humanist |
Elizabeth McGrail |
Alice van Buren Kelley | The Short Stories and Novelettes of D.H. Lawrence: Evolution of the Theme of Social Responsibility |
Lois Overbeck |
Gerald Clifford Weales | The Function of Comic Patterns in the Plays of Beckett, Pinter, and Albee |
Carol Stillman |
Humphrey Tonkin | Spenser's Elect England: A Study of Religious and Historical Allegory in The Faerie Queene |
Robert Stillman |
Humphrey Tonkin | Sidney's Arcadian Eclogues and Renaissance Pastoral Traditions |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
James Andres |
James L. Rosier | Negative Indirection in Anglo-Saxon Poetry, Exclusive of Beowulf |
Richard G. Androne |
Robert Regan | Character in Selected Works of Henry Adams |
Richard A. Betts |
Robert Lucid | The Use of Historical Materials by Five Contemporary American Writers |
Joseph Browne |
Patricia McFate | Aspects of the Art of Liam O'Flaherty |
Mary Anne Caporaletti Dewsnap |
Carol L. Bernstein | Tragedy of the English Romantic Period: the Problem of Form |
Griffith Dudding |
Robert Lucid | Between Two Worlds: An Analysis of J.P. Donleavy's Use of "The Outsider" as Protagonist in His Novels |
William C. Hale |
James L. Rosier | An Edition of Corpus Christi College, Cambridge MS 214 |
Burney J. Hollis |
Arthur Hawley (Joe) Scouten | These Low Grounds of Sorrow: The Life and Works of Waters Edward Turpin |
Linda K. Howe |
Charles Impey Thompson | The Anatomy in the English Renaissance: An Historical Study of a Literary Paradigm |
Anthony J O’Keeffe |
Lucas Wood | The Concept of Plot and the Early Novels of Charles Dickens |
Kelly S. Reed |
David DeLaura | Music in the Art and Thought of Robert Browning |
Judith A. Scheffler |
Robert Lucid | The 'Ultra-Character' in Postwar American Fiction: A Study of the Progressive Abstraction of Characterization in Novels from the 1950's to the Present |
Dwight Thomas |
Robert Regan | Poe's Philadelphia, 1838-1844 |
Bruce I. Weiner |
Robert Regan | The Art that was Used Up: Poe's Exploitation of Narrative Conventions |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Mary Jane Androne |
Carol L. Bernstein | The Clergyman and the Community: A Study of the Changing Nature of Clerics' Social Roles in the Novels of George Eliot |
Don Z. Block |
Robert Yongue Turner | The Satiric Tragedies of Thomas Middleton |
David H. Flood |
Stuart Curran | Point of View in Byron's Don Juan |
Ann B. Gardiner |
James L. Rosier | Narrative Technique and Verbal Style in Percevals Saga: A Comparative Study of the Old Norse vErsion of Chretien De Troyes' Perceval |
John R. Getz |
Robert Regan | Frederick Goddard Tuckerman: His Time and Place |
Ian E. Glenn |
Joel Osborne Conarroe | T.S. Eliot and Wallace Stevens: the Poetics of the Moment |
Elizabeth I. Hanson |
Daniel Hoffman | The Indian Metaphor in the American Renaissance |
Bonnie Skell Hardwick |
Robert Regan | The Literature of the Geologic Surveys of the West |
Susan Hilligoss |
James L. Rosier | Conventional Style in Middle English Tail-Rhyme Romance |
Francis J. Morris |
Jeanne Krochalis | Myth as a Shaping Force in C.S. Lewis's Critical Assessment of Medieval and Renaissance Literature |
Hugh Ormsby-Lennon |
Paul Korshin | Words and Worlds: Some Seventeenth Century Speech Communities and Their Verbal Universes |
George R. Pitts |
Stuart Curran | The Romantic Re-vision of Spenser: the Presence of Spenser in the Poetry of the High Romantics |
Carol K. Scholz |
Robert Lucid | They Share the Suffering: The Psychoanalyst in American Fiction between 1920 and 1940 |
Judith Shaw |
Siegfried Wenzel | Gower's Art of Adapting tales to the Thematic Structure of the "Confessio Amantis" (Books I-III) |
Richard L. White |
Alice van Buren Kelley | Conrad, Forster, Woolf, and Lawrence as Critics of the Novel |
Nancy R. Wicker |
David DeLaura | The Golden Echo: A Study of Hopkins' Philosphy, Poetics, and Poetry |
Ernest Yates |
Joel Osborne Conarroe | In the Land of the Lemon Trees: The Exotic in Wallace Stevens |
Ion P Zottos |
Arthur Hawley (Joe) Scouten | Early Critics of Opera in England |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Susan D. Brienza |
Robert F. Storey | The Development of Beckett's New Style |
John J. Dooling |
David DeLaura | The Late Victorian Novel of Culture |
James M. Gibson |
Robert Mayer Lumiansky | The Literary and Musical Development of the Sheperds Play in Medieval Liturgy and the Middle English Mystery Play |
Philip B. Grant |
Maurice O. Johnson | William Blake's The Everlasting Gospel: A Study |
Andrea Jacoby |
Robert Lucid | Apocalyptic Vision in Post-World II Novels: Studies in the Works of Barth, Bellow, Burroughs, Ellison, Heller, Mailer and Vonnegut |
Richard Jared Lubarsky |
Robert Lucid | The Instructive Fact of History: A study of Robert Penn Warren's Brother to Dragons |
Margaret M. McBride |
Alice van Buren Kelley | The Mechanics of Time: James Joyce's Ulysses |
Russ McDonald |
Robert Yongue Turner | A Study of Ben Jonson's Dependence upon Intrigue Comedy |
Linda McMeniman |
Robert F. Storey | Design and Experiment in Gertrude Stein's The Making of Americans |
Linda H. Meeker |
Stuart Curran | The Function of the Narrator in the Poetry of William Wordsworth |
Agnes M. O’Donnell |
Daniel Hoffman | A Study of the Plays of W. H. Auden |
Keith Reierstad |
David DeLaura | The Demon in the House; or, the Domestication of Gothic int he Novels of Wilkie Collins |
Dana Ricciardi |
James L. Rosier | Critical Edition of Four Poetic Fragments in Old and Middle English |
Powell Stackhouse Thomas |
Morse Peckham | John Stuart Mill's Problem: The Unsuccessful Reconciliation of the Individual with Society |
Douglas R. Wilmes |
Hennig Cohen | The Satiric Mode in Melville's Fiction: Pierre, Israel Potter, The Confidence-Man, and the Short Stories |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Judith Barlow |
Gerald Clifford Weales | The Late Works of Eugene O'Neill: The Plays and the process of Composition |
Patrick Buckridge |
Robert Yongue Turner | The Playful Drama of John Marston |
Paul Christensen |
Daniel Hoffman | The Field and the Well: An Anatomy of Open Form Poetics, 1945-1970 |
Marsha A. Freeman |
Robert Lucid | Van Wyck Brooks and Newton Arvin: Their Friendship and Correspondence |
Lydia Carolina Gordon |
Peter Conn | Sylvia Plath (1932-1963): A Critical Study |
Vishwas P. Govitrikar |
Gerald Clifford Weales | Formalistic Literary Theory: The Sate of the Art |
Mary B. Guthrow |
Theodore Hornberger | Tales of the Revolution: The Revolutionary War in American Fiction Before 1860 |
John G. Heckathorn |
Lucas Wood | The Fiction and Criticism of Aldous Huxley |
John C. Kemp |
Daniel Hoffman | Robert Frost and the Traidtion of New England Regional Literature: A Search for Literary Identity |
Stephen F. Lappert |
Robert Mayer Lumiansky | The Sowdon of Babylon: A Critical Edition |
James A. Levernier |
Hennig Cohen | The Uses and Forms of the Indian Captivity Narratives |
Rebecca McBride |
Robert Lucid | Richard Wright's Use of His Reading |
Jill McKinney |
Hennig Cohen | Melville and the Law |
Miriam Y. Miller |
Edward B. (Ted) Irving | A Study of Deprivation in Old English, Old Icelandic, and Old Saxon |
Katherine O’Keeffe |
James L. Rosier | The Book of Genesis in Anglo-Saxon England |
Richard F. Patteson |
Alice van Buren Kelley | The Eyes of Madness: Narrative Technique in Nabokov's English Novels |
Josephine A. Roberts |
Charles Impey Thompson | Architectonic Knowledge in the New Arcadia (1590) : Sidney's Use of the Epic Journey |
Maureen A. Sabine |
Humphrey Tonkin | The Social and Literary Significance of Childhood in Selected 17th Century Poetry |
Jacob Salomon |
Arthur Hawley (Joe) Scouten | Pre-Twentieth Century Dramatic Burlesques of Shakespeare |
Fredric Weiss |
Maurice O. Johnson | Satiric Aspects of the Early Gothic Novel |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Fay E Beauchamp |
Robert Lucid | William Faulkner's Use of the Tragic Mulatto Myth |
Martin J. Bickman |
Robert Regan | A Jungian Analysis of Poe, Whitman, and Dickinson |
Ellen Brandt |
Theodore Hornberger | A Critical Study of Susanna Haswell Rowson |
George R. Bridge Jr |
Theophilus Ernest Martin Boll | The Belief of an Unbeliever: The Theological Implications in Edward Morgan Forster's A Passage to India |
Melissa A. Cannon |
Robert Regan | Confessional Poetry: A Study of Critical Terminology |
James W Christie |
Carol L. Bernstein | Satiric Strategies and Apocalyptic Vision in Dickens' Later Novels |
Susan K. Dietz |
Gerald Clifford Weales | The Work of Ronald Ribman |
Robert A Foster |
Robert Armstrong Pratt | The Romances of the Middle English Frontier |
Gerald T. Goodman |
Gerald Clifford Weales | The Black Theatre Movement |
Theodora Rapp Graham |
Joel Osborne Conarroe | Woman as Idea and Symbol in the Works of William Carlos Williams |
David L. Greene |
Arthur Hawley (Joe) Scouten | A Study of the Plays of Sir John Vanbrugh |
Kevin J. Harty |
Robert Mayer Lumiansky | The Eschatology of the Chester Cycle |
Rita D. Jacobs |
Robert Lucid | The American Academic Novel Since 1960 |
Jacqueline Jones |
Lucas Wood | The Novels of Muriel Spark |
Gail C Levin |
Robert Regan | Grace Elizabeth King: Her Life and Works |
Mark Levin |
Paul Korshin | Eighteenth Century Literature and Numismatics |
Alan C Lupack |
James L. Rosier | Structure and Tradition in the Poems of the Alliterative Revival |
Susan May |
Matthias Adam Shaaber | A History of the Criticism of "A Midsummer Night's Dream" |
Moylan C. Mills |
Robert Lucid | The Literary Reputation of Richard Wright |
Bruce E Petree |
Theodore Hornberger | William Cullen Bryant and American Poetry, 1829-1860 |
Cynthia Stodola Pomerleau |
Maurice O. Johnson | Early Autobiographical Writings of English Women (1650-1800) |
Katherine M Riley |
Lucas Wood | The Clerical Hierarchy as a Symbol of Change in Trollope's Barchester Novels |
Chester Sadowy |
Theodore Hornberger | Benjamin Colman as Literary Artist |
Roderick S. Speer |
Gabriele Johanna Bernhard Jackson | Scott's Influence on Byron |
Robert J. Wagner |
Daniel Hoffman | British Poets of World War II: Keith Douglas, Charles Causley, Lawrence Durrell |
Jeanne M. Walker |
Humphrey Tonkin | Renaissance Aesthetics in The Faerie Queene |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Marice Cecile Bezdek |
Robert Armstrong Pratt | Medieval Literary Concepts of Tragedy and Comedy |
Charles G. Bickford |
Robert Armstrong Pratt | Chaucer's Use of Rhetoric; with Emphasis on His Portraits |
Carolyn Craft |
Robert Mayer Lumiansky | The Context of Human Freedom from Geoffrey of Monmouth to Malory |
Sarah Daugherty |
Daniel Hoffman | The Literary Criticism of Henry James: 1864–1884 |
Seth A. Eisner |
Carol L. Bernstein | The Language of Character Creation in Jane Austen's Novel's |
Brian Gallagher |
Robert Lucid | The Historical Consciousness of Edmund Wilson |
Robert J. Graham |
Hennig Cohen | An Interpretation of Concepts of Women in American Literature, 1813–1871 |
Michael F. Harper |
Daniel Hoffman | Beyond Romanticism: The Poetry of Ezra Pound |
James D. Hauser |
Daniel Hoffman | The Closed Universe of Flannery O'Connor |
Patricia L. Herban |
Timothy J. Materer | D.H. Lawrence and War |
Marie J. Hertzig |
James L. Rosier | The Continuity of Middle English Texts: Early Modern Recension and Reading of Certain Middle English Texts |
Judith F. Hodgson |
Arthur Hawley (Joe) Scouten | Human Beauty in Eighteenth-Century English Literature |
Norman Hostetler |
Daniel Hoffman | Nathaniel Hawthorne's Use of Various Techniques of irony and Point of View |
Susan Kaplan Becker |
Carol L. Bernstein | Narrative Form in Pater's Fiction: A Study of Marius the Epicurean, Imaginary Portraits, and Gaston de Latour |
James T. Kelleher |
Theodore Hornberger | Hugh Henry Brackenridge as Literary Artist |
Martin Kellman |
Timothy J. Materer | A Study of the once and Future King by T.H. White |
Barbara M. Long |
Hennig Cohen | A Critical Edition of Clarence King's Mountaineering in the Sierra Nevada |
Daniel J. Lynch |
Arthur Hawley (Joe) Scouten | The Theme of Imprisonment in Eighteenth Century Fiction |
James W. Nechas |
Hennig Cohen | Repetition in the Language of Moby-Dick |
Peter Nicholson |
Robert Mayer Lumiansky | The Literary Relations of Chaucer's Shipman's Tale |
Gerald V. O’Flaherty |
Clyde de Loache Ryals | The Victorian Religious Novel |
Ronald J Palumbo |
Robert Yongue Turner | The Distinctiveness of Marston's Dramatic Satire |
Samuel Powers |
Benjamin F. Fisher | The Development of Tennyson's English Idylls |
Honora F. Rankine-Galloway |
Robert Lucid | The Impact of the 1961 Tropic of Cancer Publication on the American Literary Community |
Gerard C. Reedy |
Paul Korshin | Restoration Hermeneutics: How Some Restoration Authors Read and Saw |
Michael Roman |
Humphrey Tonkin | If We could Spell: the aesthetic of George Herbert as found in the poems themselves and as compared to the aesthetic of his followers |
Keith D Slocum |
Robert Yongue Turner | Ben Jonson's dramatic craft: a study of point of view in Jonson's major plays |
Craig Williamson |
James L. Rosier | Old English Riddles of the Exeter Book: A Critical Edition |
Georgianna Ziegler |
Robert Mayer Lumiansky | Queen Guinevere: Study of her Character in English and French Medieval Literature |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Thomas M. Akstens |
Maurice O. Johnson | Pope and History |
Gail Bickford |
Robert Mayer Lumiansky | An Edition of the Middle English Metrical Romance, The Seege of Troye |
Cynthia Bourgeault |
Robert Mayer Lumiansky | The Jongleur Art |
Daniel Bronson |
Robert Lucid | In Pursuit of the Elusive Present: A Study of the Prose Narratives and Poetry of Norman Mailer |
Ann Cline Kelly |
Maurice O. Johnson | Jonathan Swift's Dramatic Poems |
John E. Connolly |
Paul Korshin | King Lear in its 18th Century Editions |
Wystan Curnow |
Morse Peckham | Clarel by Herman Medville |
Jonathan Dietz |
Arthur Hawley (Joe) Scouten | The Structure of Dramatic Satire in the Plays of George Farquar |
Vincent DiMarco |
Robert Armstrong Pratt | The Moral Values of Chaucer's Knight and Squire, and their Aesthetic Formulations int he Canterbury Tales |
Jay A. Gertzman |
Humphrey Tonkin | Innovation and Tradition in Herrick's Pastoral Lyrics: A Study of the Continuity of a Renaissance Poetic Form |
Jane E. Gulick |
Theodore Hornberger | The Moral Vision of William Dean Howells and Its Effect Upon His Major Novels |
Judith B. Hodge |
Robert Regan | The Essential Constant: Structure and Meaning in Selected Novels of Henry James |
Ian M. Irvine |
Maurice O. Johnson | Metaphoric Representation in the Novels of Jane Austen |
Stephen Karpowitz |
Daniel Hoffman | Mark Twain: A Satirist's Struggles with Conscience and Conceit |
Lois S. Keates |
Herbert Howarth | The Novels of Irish Murdoch: Myth, Morals, and Metaphysics |
Harry Krynicky |
Carol L. Bernstein | A Variorum Text of Robert Browning's Christmas-Eve and Easter-Day |
Sheldon W Liebman |
Daniel Hoffman | The Fearful Sympathy: A Study of Selected Works of Nathaniel Hawthorne |
H.F Lippincott, Jr. |
Roland Mushat Frye | Clowns and Fools of Renaissance England |
Edna Z. Manlapaz |
George Malcolm Laws | William Cowper's Olney Hymns: A Literary Study |
John S Mann |
Robert Regan | The Leashed Serpent: A Study of Emily Dickinson's Poetry |
Leon E. Markowicz |
Roland Mushat Frye | The Role of Alberico Gentili, Regius Professor of Law at Oxford and the "Father of International Law," in the Elizabethan Stage Controversy |
Gertrude McBride Eaton |
Clyde de Loache Ryals | The Religious Writings of Matthew Arnold as Continuing Expressions of Matthew Arnold, the Critic |
Philip McCaffrey |
Robert Mayer Lumiansky | An Examination of The Chester Mystery Cycle |
Kim Melnikoff |
Clyde de Loache Ryals | An Edition of the Correspondence of Wm. Michael Rossetti and Mackenzie Bell |
Ellen E Morgan |
Robert Lucid | Neo-Feminism and Modern Literature |
John J Moriarity |
Maurice O. Johnson | Subversive John Gay: Satiric Intention and Method in His Poetry |
Louis Oldani |
Theodore Hornberger | A Study of Dreiser's The "Genius" |
David Parker |
Theodore Hornberger | The Application of Humiliation: Ramist Logic and the Rise of Preparationism in New England |
Barbara M. Perkins |
James Gordon | An Edition of "The Disputation between Body and Soul" |
Robert A Podewils |
Gerald Clifford Weales | A Critical Study of the Tragicomedies of Beaumont and Fletcher |
Diane Purdy Lichstein |
James L. Rosier | The Stylistic Backgrounds of Piers Plowman |
Charles A Russell |
Clyde de Loache Ryals | The Poems of John Clare |
Erwin Schawacker |
Clyde de Loache Ryals | The Narrator-Persona of the Novels of Anthony Trollope |
Christine W Sizemore |
Roland Mushat Frye | The Literary Artistry of John Bunyan's The Holy War |
Stephen Spangehl |
Robert Mayer Lumiansky | An Edition of the Alliterative Morte Arthure, with Textual Notes and Glossary |
John W Tallon |
Theodore Hornberger | The Aesthetic Attitudes of Jonathan Edwards |
Jeffrey Woodward |
Robert Lucid | The Fitzgerald Legend |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Michael L Baumann |
Robert Regan | B. Traven's Place in American Literature |
Randolph Bufano |
Clyde de Loache Ryals | The Critical Reputation of Lord Macaulay Since 1830, Together With an Annotated Bibliography |
Philip H. Bufithis |
Robert Lucid | The Psychiatrist/Psychologist Figure in the Fiction of Major Contemporary American Novelists |
Jacqueline de Weever |
Robert Armstrong Pratt | A Biographical Dictionary of Proper Names in Chaucer |
Paul R Doran |
Arthur Hawley (Joe) Scouten | Swift and the Roman Catholics |
James E Evans |
Maurice O. Johnson | Fielding's Supporting Characters in the Structure of Joseph Andrews, Tom Jones, and Amelia |
Joseph J. Feeney |
Theodore Hornberger | American Anti-War Literature of World War I: Six Major Figures |
George F Freije |
Robert Yongue Turner | The Complex Art of George Chapman: A Study of the Tragedies |
Stanley Gutin |
John Mark Longaker | Yeats' Prose Narratives: A Consideration of Their Relationship to the Poetry |
Charles J Haberstroh, Jr. |
Hennig Cohen | Melville's Fathers |
J. Paxton Hart, Jr. |
Robert Armstrong Pratt | Thomas Tyrwhitt (1730-1736) As Annotator and Glossarist of the Canterbury Tales |
William C Horne |
Maurice O. Johnson | Style and Diction in Samuel Butler's Hudibras |
Kathryn Hume |
Robert Mayer Lumiansky | The Owl and the Nightingale: Its Traditions and Art |
David E James |
Matthew Johnson | The Structure of Blake's Milton |
Philip M Keith |
Daniel Hoffman | The Idea of Quakerism in American Literature |
Barbara F. Lynch |
Roland Mushat Frye | Shakespeare's Comic Plots and the Nature of Man: A Study of the Relationship Between the Romantic and the Low Life Plots in Light of Man's Unique Position in the Great Chain of Being |
William F Lynch |
Roland Mushat Frye | Change and Stasis in the Two Gentlemen of Verona |
Karen B Mann |
Clyde de Loache Ryals | The Presentation of Moral Growth and Education in the Novels of George Eliot |
Sister Sara McAlpin |
Theodore Hornberger | Enlightening the Commonplace: The Art of Sarah Jewett, Willa Cather and Ruth Suckow |
David B McGrail |
Herbert Howarth | The Narrator in the Fiction of Joseph Conrad |
Patricia McMurray |
Robert Regan | Union and Identificiation: Whitman, the Reader, the Universe |
Brian L Mihm |
Clyde de Loache Ryals | George Meredith's Theory of the Novel |
Nancy R Norris |
Daniel Hoffman | The Horse Which Came Home to Roost: Theme and Form in Faulkner's Snopes Trlogy |
Nadine Ollman |
Paul Korshin | The Literary Criticism of William Warburton |
Ruth Perlmutter |
Herbert Howarth | Arthur Waley 1889-1996 |
John C Riely |
Maurice O. Johnson | The literary rivalry of James Boswell and Mrs. Piozzi as biographers of Samuel Johnson |
Thomas A Tenney |
Hennig Cohen | Mark Twain's Travel Sketches in the Newspapers |
| Alumnus | Director(s) | Title of Dissertation |
|---|---|---|
Wilbur T Albrecht |
Morse Peckham | The Prose Romances of William Morris |
William W Bonney |
Robert D. Bamberg | The Artistic Function of the Inconsistent Point of View in Selected Novels of Joseph Conrad |
Patricia M Boyle |
Herbert Howarth | The Development of a Critical Perspective in the Novels of Elizabeth Gaskell |
Jack Christ |
Clyde de Loache Ryals | History and Personality in the Autobiographies of Edward Gibbon, John Stuart Mill, John Henry Cardinal Newman, and Henry Adams |
Judith Reiter Cohen |
Herbert Howarth | The Holy Estate; D. H. Lawrence's Views on Marriage |
Laura J Corwin |
Clyde de Loache Ryals | The Concept of the Self in the Novels of Jane Austen |
Paul A Cruser |
Theodore Hornberger | The Ficiton of Flannery O'Conner |
Celia Bidwell Diamond |
James L. Rosier | Alliterative Figurations, Syntax, and Meaning in Old Middle English Poetry |
Ruth L Hallford |
Herbert Howarth | The Early Fiction of Samuel Beckett |
Frank M. Laurence |
Robert Lucid | The Motion Picture Adaptations of Ernest Hemingway's Fiction |
Charlotte Lord |
Gerald Clifford Weales | American Plays Translated into Italian and Produced in Italy Since World War II |
Henry W Matalene III |
Robert Mayer Lumiansky | A Conjecture Concerning Dramatic Presentation: With New Readings of Etherege's The Man of Mode and Cibber's The Careless Husband |
Stuart Y McDougal |
Daniel Hoffman | A Parnassian in Provence: Ezra Pound and the Troubadour Tradition |
Toby A Olshin |
Maurice O. Johnson | Sterne's Concept of the Imagination in Tristram Shandy |
John J Perry |
Arthur Hawley (Joe) Scouten | The Influence of the 'Literary Scot' on the Changing Diction of 18th Century English Prose |
Elaine Plaskow Maimon |
Robert Lucid | The Biographical Myth of F. Scott Fitzgerald (1950-1968), as Reflected in American Periodical Publications |
R.J.P. Rao |
Hennig Cohen | Early American Interest in Vedic Literature and Vedantic Philosophy |
Eusebio Leo Rodrigues |
Robert Lucid | Theme and Structure in the Novels of Saul Bellow |
Lance Schachterle |
Clyde de Loache Ryals | Dickens and the Serial Novel |
Thomas E Scheye |
Roland Mushat Frye | Shakespeare's Comic World: Patterns of Self-Discovery in the First Four Comedies |
Mark Siegchrist |
Clyde de Loache Ryals | Browning's Experiemnts in Dramatic Monologue After the Ring and the Book |
Donald R Stoddard |
Edward Sculley Bradley | Horace L Traubel: A Crtical Biography |
John Richard Stracke |
James L. Rosier | The Vocabulary of the Lambeth Psalter Glosses |
Peter S. Weygant |
Paul Korshin | John Oldham as Poet and Critic |
Helen M Yanko |
Herbert Howarth | Conrad as Psychologist |