Phillip E. Goldfein Class of 1934 Shakespearean Prize
Awarded for the best undergraduate paper on Shakespeare.
2023
"Then and Now: Politics and Polychronic Time in Macbeth and Julius Caesar."
“Much Ado About—Virginity! Clashing Temporalities and Gender Roles in the National Theatre’s 2022 Production”
2022
2021
"Silence of the Lambs: A Study of Beatrice's Character Arc and Silence in Much Ado About Nothing"
"'Iago's Punful Power': An Examination of Iago's Sexual Gratification from Puns, Wordplay, and Manipulation"
2020
Shakespeare Takes On the Romans: Ovid and Vergil, the Artistic Imagination, and Love over Empire in Antony and Cleopatra
Enter Jailer's Daughter, Alone: Madness and Solo Scenes in The Two Noble Kinsmen
2019
“Othello was a lie”: Impersonation and Identity in Tayeb Salih’s Season of Migration to the North
2018
"Stripping of Kingship and Functionality in Shakespeare's Richard II"
Inaccuracies and Interpretations in Roles and Identities within Othello and All's Well that Ends Well
2017
2016
2015
2014
Whose Hamlet Is It Anyway? Clueless, Reality Bites and Redefining Popular Culture in the Generation X
2013
2012
2011
2010
Title: "The Art of Life: Artistic Mimesis and Biological Reproduction in the Works of Ovid and Shakespeare"