Jennifer Ponce de León
Jennifer Ponce de León (formerly Jennifer Flores Sternad) is an interdisciplinary scholar whose research focuses on cultural production of the Americas and its relation to antisystemic movements of the 20th and 21st centuries. She works across studies of contemporary visual arts, literature, and performance; hemispheric Latina/o/x and Latin American studies; materialist social, cultural, and aesthetic theory; and anticolonial, postcolonial, and decolonial thought. She is also faculty in Latin American and Latino Studies (LALS) and affiliated faculty in Gender Sexuality and Women’s Studies (GSWS) and Cinema Studies, and she is part of the Graduate Group in Comparative Literature. Her courses are regularly cross-listed with these programs, as well as with Art History. She is a 2018-2019 Ford Postdoctoral Fellow.
Dr. Ponce de León’s current book project, Another Aesthetics is Possible: Radical Politics across the Arts of the Americas, theorizes aesthetics as an integral and potentially radicalizing force in contemporary political and social struggles. It is an interdisciplinary study of experimental and paradisciplinary literature, art, and performance produced by Argentine, Mexican, Chilean, and Chicana/o artists and writers and articulated with antisystemic movements and localized social struggles across the Americas, including Zapatismo, anti-displacement struggles in Los Angeles, the 2001 uprising in Argentina, and radical grassroots human rights activism. She recently published “Through an Anticolonial Looking Glass: On Restitution, Indigenismo, and Zapatista Solidarity in Raiders of the Lost Crown” in American Quarterly (March 2018) and “How to See Violence: Artistic Activism & the Radicalization of Human Rights” in ASAP/Journal (May 2018). Her writing has also appeared in the edited collections Talking to Action: Art, Pedagogy and Activism in the Americas (U. Chicago Press, 2017); Dancing with the Zapatistas (Duke U. Press, 2015); Live Art in LA, 1970-1983 (Routledge, 2012); MEX/LA: Mexican Modernisms in Los Angeles (Hatje Cantz Verlag, 2011); Art and Activism in the Age of Globalization: Essays on Disruption (NAi, 2011), and in the journals Social Text, GLQ: A Journal of Lesbian and Gay Studies, e-misférica, Contemporary Theatre Review, The Journal of American Drama and Theater, and Interreview. She has also curated exhibitions and public art events. Most recently, she curated Resurgent Histories, Insurgent Futures for the Slought Foundation in Philadelphia. She received her PhD in American Studies from the Department of Social and Cultural Analysis at New York University, her M.A. in Art History from the University of California, Los Angeles, and her A.B. in Literature from Harvard University.