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Narratives Across Cultures

ENGL 0039.401
crosslisted as: COML 1025, NELC 1960, SAST 1124, THAR 1025
instructor(s):
MW 1:45-3:14pm
fulfills requirements:
Sector 1: Theory and Poetics of the Standard Major
Sector 2: Difference and Diaspora of the Standard Major
Sector 6: 20th Century Literature of the Standard Major
Sector III: Arts & Letters of the College's General Education Curriculum

How does literature both connect cultures across time and space and speak about what is specific to each culture? In this course we will read several types of stories written in different periods and in different parts of the world, ranging from classical Greek and Sanskrit drama to modern African, European, American and Asian fiction. Many of these texts are very well known, have had long afterlives, and have been adapted and rewritten in distant spaces and times. In some cases, we will engage with these retellings. Others directly embody the coming together or friction between cultures and peoples. By studying them, we can reflect on how literary texts reflect the cultures in which they were produced, and have a capacity to travel across cultures. Texts will likely include Sophocles, Antigone (Greece); Kalidasa Shakuntala (India) Véronique Tadjo, Queen Pokou: Concerto for a Sacrifice (France/ Ivory Coast); William Shakespeare Othello (England); David Henry Hwang, M. Butterfly (USA); Tayib Salih, Season of Migration to the North (Sudan); Marjane Satrapi, Persepolis, Story of a Childhood (Iran); Gabriel Garcia Marquez, Chronicle of a Death Foretold (Colombia) Shyam Selvadurai, Funny Boy (Sri Lanka/ Canada); Gaiutra Bahadur, Coolie Woman (West Indies). 150-250 word posts every other week; 5 page mid-term exam and a 10 page final exam (both take home).