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The American Line

ENGL 288.301
TR 3-4:30 pm

This course will consider American innovations in the poetic line. We will pay attention to the music of the individual line, working our way through the complications of prosody. Our readings will begin with Walt Whitman’s unending lines and Emily Dickinson’s short, sharpened ones. From these foundational poles in American verse, we will go on to measure key revolutions in the line in the twentieth century, including modernist poetic instigations, renewed verse forms of the Harlem Renaissance, lines driven by breath in beat and confessional verse, as well as experiments in language at the end of the century. In addition, we will read theoretical and philosophical inquiries into the ways in which the line extends, breaks, and finally ends. Course requirements: short response papers, in-class presentation, and final research paper.

KEYWORDS: Whitman, Dickinson, verse, prosody, modernism

fulfills requirements
Elective Seminar of the Standard Major
Sector 1: Theory and Poetics of the Standard Major
Sector 6: 20th Century Literature of the Standard Major
Cultural Diversity in the US of the College's General Education Curriculum