This course will be a study of Balkan cinema, with a focus on a wide
range of films that were made in response to the 1990s crisis in the
Balkans. While the Balkans may be familiar as one of Hollywood’s
favorite fantasy nightmares—the bloodthirsty Transylvanian count and
vampire, Vlad Tepes-Dracula, or Cat People’s horrific historical Serbs
who morphed into ferocious black panthers now living in the heart of
Manhattan—Balkan cinema is an often overlooked but one of the richest
and most significant cinemas of Europe today. While tracing the
history of Balkan cinema, the main focus of the course will be on
films made during and after the Balkan war in the 1990s, by filmmakers
such as Milcho Manchevski, EmirKusturica, Srdjan Dragojevic, Goran
Peskaljevic, and Danis Tanovic. These directors achieved great
success in their native countries as well as abroad, and started
appearing regularly at all major international film festivals. As
such they not only mark a significant moment in thinking about the
nation but show how a nation has come to depend on the persuasive
power of cinema to articulate itself. As we recognize the
difficulties in asserting Balkan culture as a unified one, the aim of
the course will be to explore an astonishing thematic and stylistic
consistency in the cinematic output of the Balkan region. Looking at
these shared issues—the turbulent history and volatile politics, a
semi-Orientalist positioning sometimes seen as marginality and
sometimes as a bridge between East and West, encounters between
Christianity and Islam, a legacy of patriarchy and economic
dependency--we will examine how cinema of the Balkans testifies to a
specific artistic sensibility that comes from a shared socio-cultural
space.
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