Michael Gamer is Associate Professor of English at the University of Pennsylvania and author of Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, 2000). He is currently at work on two books: Recollections in Tranquility: The Romantic Art of Self-Canonization, 1765-1832; and A History of British Theatre: Staged Conflicts, under contract with Blackwell Publishing. He is editor of Horace Walpole's Castle of Otranto (Penguin, 2002) and Charlotte Smith's Manon L'Escaut and the Romance of Real Life (Pickering and Chatto, 2005). He works on collaboration and is fond of collaborative work: with Jeffrey Cox he edited The Broadview Anthology of Romantic Drama (Broadview, 2003); with Dahlia Porter Samuel Coleridge and William Wordsworth's Lyrical Ballads 1798 and 1800 (Broadview, 2008). He has also published essays in MLQ, PMLA, Novel, ELH, Nineteenth-Century Contexts, Studies in Romanticism, and other journals on poetic collections, the novel, pornography, print culture, authorship, and dramas of spectacle. Recently awarded the Nineteenth-Century Studies Association 2010 prize for best article (for "Mary Robinson and the Dramatic Art of the Comeback"), he also is recipient of the Ira Abrams, Lindback, College of General Studies, David Delaura, and Alan Filreis awards for distinguished teaching.