Back in the early nineteenth century, the famous reviewer and critic Francis Jeffrey wrote in The Edinburgh Review that there were "not thirty [poets] whose works are to be found in the hands of ordinary readers--in the shops of ordinary booksellers--or in the press for republication." At that time, Jeffrey joked about wanting to stop the production of the poets and the presses, if only for a decade, so that he could direct his readers to the vast amount of good British poetry, either neglected or forgotten, that he did not want to see die. Therefore, in this course, we will do our best to do the impossible: sample British poetry from 1660 to the present in our own Grand Tour that hopefully will achieve an understanding even about the authors that we will not have time to read. We will do so by looking into a tradition of poetry--that of landscape--that will allow us to see how present poets revise and draw from their predecessors. Understanding the various topographies of British poetry, furthermore, will allow us to examine how it constructs psychological and political landscapes as well. The tentative list of poets for this course (subject to change) will be John Dryden, Anne Finch, Alexander Pope, Anna Letitia Barbauld, Mary Robinson, William Wordsworth, Samuel Taylor Coleridge, John Keats, Felicia Hemans, Lord Tennyson, Christina Rossetti, Robert Browning, Thomas Hardy. The required work for this course will be two short papers and one long essay (graded in an end-of-semester portfolio), and a comprehensive final.