Ania Loomba received her BA (Hons.), M. A., and M. Phil. degrees from the University of Delhi, India, and her Ph. D. from the University of Sussex, UK. She researches and teaches early modern literature, histories of race and colonialism, postcolonial studies, feminist theory, and contemporary Indian literature and culture. She currently holds the Catherine Bryson Chair in the English department. She is also faculty in Comparative Literature, South Asian Studies, and Women's Studies, and her courses are regularly cross-listed with these programs.
Her writings include Gender, Race, Renaissance Drama (Manchester University Press; 1989; Oxford University Press, 1992) Colonialism/ Postcolonialism (Routledge, 1998; second edition, 2005; third edition 2015; Italian, Turkish, Japanese, Swedish and Indonesian editions) and Shakespeare, Race, and Colonialism (Oxford University Press, 2002). She has co-edited Post-colonial Shakespeares (Routledge, 1998); Postcolonial Studies and Beyond (Duke University Press, 2005), Race in Early Modern England: A Documentary Companion (Palgrave, 2007) and South Asian Feminisms (co-edited with Ritty A. Lukose, Duke University Press, 2012) [http://southasianfeminisms.wordpress.com/]. She is series editor (with David Johnson of the Open University, UK) of Postcolonial Literary Studies (Edinburgh University Press). She has also produced a critical edition of Shakespeare's Antony and Cleopatra (Norton, 2011) [http://books.wwnorton.com/books/Antony-and-Cleopatra/]
Her latest publications include a collection of essays Rethinking Feminism in Early Modern Studies: Gender, Race and Sexuality (co-edited with Melissa Sanchez, forthcoming in April 2016); essays on early modern global contact, on caste in India, on race and comparison,
She is currently working on tlives and writings of left-wing Indian women from the 1930s to 1960s.