Tsitsi Ella Jaji

Fisher-Bennett Hall 218
215-573-9645

office hours:

Thursdays 12.30-2.30 and by appointment.
Tsitsi Jaji teaches courses on the poetry, fiction, film, and music of the African diaspora and the African continent. Many of her courses are crosslisted in Africana Studies, Music and Comparative Literature. In addition to teaching she serves as a faculty fellow in W.E.B. DuBois College House.
Dr. Jaji earned her Ph.D. (2009) in comparative literature from Cornell University with concentrations in African, Caribbean and African-American literature in English, French and Spanish. Her first book Africa in Stereo: Modernism, Music and Pan-African Solidarity (Oxford UP, 2014) traces Ghanaian, Senegalese and South African responses to African American music in print and film.
She is currently at work on two new book projects. The first, Classic Black: Art Songs of the Black Atlantic analyzes the literary commentary that  composers of color have performed through setting poetry to music. A brief article from this project appears in the inaugural issue of J19: The Journal of Nineteenth Century Americanists (Spring 2013) and a related blogpost can be found on the Penn Press website. The second project, Cassava Westerns: Gender, Law and the American Frontier Myth in Global Black Imaginaries examines the way writers, filmmakers and musicians of Africa and the Black Diaspora have critically engaged with tropes and mythologies of the U.S. West. The project ranges over texts from Jamaica, Martinique, the U.S., Guinea, Mali, Botswana, Senegal and France.
Her publications include:
“Art Song Poetics: Performing Samuel Coleridge-Taylor’s Setting of Paul L. Dunbar’s ‘A Corn Song’.” J19: Journal of Nineteenth Century Americanists, 1.1 (Spring 2013).
“Can You Hear Africa Roar? StoryTime and the Digital Publishing Innovations of Ivor Hartmann and Emmanuel Sigauke.” Journal of Commonwealth and Post-colonial Studies (Spring 2013), 221-39.
“Re-Collecting the Musical Politics of John and Nokutela Dube.” in Safundi 13.3-4 (September 2012), 213-229.
“Sound Effects: Synaesthesia as Purposeful Distortion in Keorapetse Kgositsile’s Poetry,” Comparative Literature Studies 46:1 (Spring ): 287-310, 2009. 
“Prying Death’s Door Open: Mourning the Living-Dead in Maryse Condé’s Moi, Tituba sorcière…Noire de Salem." in Come Weep With Me:loss and mourning in the writings of Caribbean women writers.  Ed. Joyce Harte, 56-73. Cambridge Scholars Press, 2007.
“The Name of the Father, The Name of the Son, and the Name of the Homeric Spirit in Walcott’s Omeros,” La Torre- Revista General de la Universidad de Puerto Rico. Tercera época, 10:.36-37: 175-188, 2005.
Originally from Zimbabwe, Dr. Jaji has conducted fieldwork throughout Southern and West Africa, with generous support from the TIAA-CREF Ruth Sims Hamilton Fellowship, and has been a Mellon Mays Undergraduate Fellow, a Society for the Humanities (Cornell) Mellon Graduate Fellow, and a Penn Humanities Forum Junior Faculty Fellow. During the 2012-13 year she was the Mary I. Bunting Institute Fellow at the Radcliffe Institute for Advanced Study at Harvard University. Her primary research interests continue to be transnational black cultural relations and exchanges, the relationship between music and literature, theorizations of listening, and Africana expressions of feminism. On occasion she revisits a former self as an Oberlin-trained pianist, however her primary commitment is to literary studies.

 

 

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