Department of English

This is a wide-ranging introduction to the “other” major cinema in English: the films of England, Scotland, and Ireland.  The British film industry has been thriving in the 21st century, but it remains the underdog in a global media environment dominated by Hollywood.  We will consider some of the ways British filmmakers have positioned themselves in the world cinema as close rivals or radical alternatives to the American model.  Our approach will be to study two films a week, one from the 21st century and the other from some earlier moment in British cinema history.  Each of these pairings will aim to capture an enduring cinematic mode or strategy that contributes to the national “signature” of British film. Our screenings will run the gamut from the big-budget James Bond and Harry Potter franchises, to mid-sized transnational productions such as Pride & Prejudice and Slumdog Millionaire, to more independent or artisanal work by such directors as Mike Leigh, Ken Loach, Sally Potter, Michael Winterbottom, Lynne Ramsay, Steve McQueen, Andrea Arnold, and Lenny Abrahamson.  

Required work will include five brief quizzes, two or three short oral research reports, a 2-page formal analysis essay, and a research paper with various options, including a creative-writing option.