Courtesy of Mr. and Mrs. Robert Montgomery Bird.
63. "View on the Ohio. June, 1833." Watercolor, unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
64. "View on the Tennessee--June, 1833 / Tombecbee?" Watercolor, unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
This watercolor is among those sketches that Dr. Bird would later revisit and "revise." The finished version is also exhibited here immediately below this version (no. 65). Almost illegible on this sketch are Dr. Bird's extremely faint pencilled annotations on the surface of the work itself--"white"; "light [word illegible]"; "Dark"; "light". Their presence indicates that he intended to revisit this sketch at a later date; and, as the finished version indicates, he did revisit it. By the time he did so, however, Dr. Bird found his own handwriting either illegible or so faint that he himself could not read it. Thus he added to the original title ("View on the Tennessee--June, 1833") a query to himself, clearly written at another time and with another pencil, "Tombecbee?" He was no longer sure if he had sketched the scene in Tennessee or Alabama. In June of 1833, Dr. Bird was travelling in Tennessee, going from Memphis to Nashville; his original title appears to be correct.
65. A finished version of the same scene. Watercolor, untitled, undated, and unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
This is the finished version of the June 1833 view of the Tennessee River exhibited immediately above (no. 64).
66. "Mammoth Cave." Watercolor, undated and unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
67. "The old Cabin (Gatewood's house) at the Mammoth Cave. October, 1835 ('35 + '53)." Watercolor, unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
Unlike the "View on the Tennessee" (nos. 64 and 65), this is one of those paintings where only one version survives, but a double date ("'35 + '53") suggests "revision" during the period towards the end of Dr. Bird's life when he was also conducting photographic experiments and revising Nick of the Woods, as well. The impact on his literary and artistic work of these experiments is obviously the major question that these newly revealed works in both photography and painting raise.
68. "Among the Knobs, near the Mammoth Cave. June, 1833." Watercolor, unsigned.
Courtesy of Mr. and Mrs. Robert Montgomery Bird.
The Mammoth Cave is still the monarch of caves: none that have ever been measured can at all compare with it, even in extent; in grandeur, in wild, solemn, severe, unadorned majesty, it stands entirely alone. "It has no brother, it is like no brother."
--from Robert Montgomery Bird, "The Mammoth Cave," in Peter Pilgrim: or A Rambler's Recollections, 2 vols. (Philadelphia: Lea & Blanchard, 1838), 2:65-66.
Last update 22 April 1996.