Contemporary Literature: Interpreting Cyberspace
English 285.601, T/Th 5-6:15
University of Pennsylvania
Spring 1996
Susan
Garfinkel, instructor
office: B9, 4th floor Bennett Hall (898-8604/5)
office hours: W3-5 or by appointment, evenings in PennMOO by appointment
e-mail: sgarfink@dept.english.upenn.edu
course listserver: garfinkel285@dept.english.upenn.edu
course homepage: http://www.english.upenn.edu/~sgarfink/eng285/home.html
PennMOO: moo.sas.upenn.edu 7777 (use telnet, or type 'tf' at the
mail.sas unix prompt)
Course Description:
Cyberspace, E-world, the Infobahn, the Net. The metaphors linking
computers and what we
do with them to the placeness of a virtual reality are increasingly hard
to escape. Is cyberspace
an inevitable development in the interaction of humans and computers?
What will it look
like? How will it feel? In this course we will examine what happens to
the relationship of
subject, author, text and the world in this context of computer
mediation, in this "consensual
hallucination" where information becomes architecture and words stand in
for bodies. What
are the larger narratives that work to shape collective perceptions of
e-space? What of the
blurring of author, reader and genre that virtual environments allow?
What might it mean
to inhabit an electronic form? In our explorations we will look first at
works of science
fiction, following these with a consideration of both theoretical and
popular works as we
begin to move into cyberspace ourselves. Our writing for the semester
will be geared toward a
final collaborative presentation, which we will make available on the
World Wide Web.
Course Materials:
The following books are available at House of Our Own Bookstore, 3920
Spruce Street (222-
1576), hours: MondayÐThursday 10Ð6:30, FridayÐSaturday 10Ð6.
- Michael Benedikt, ed., Cyberspace: First Steps
- William Gibson, Neuromancer
- Marge Piercy, He, She and It
- Neal Stephenson, Snowcrash
- Tracy Kidder, Soul of the New Machine
- Howard Rheingold, The Virtual Community
- Richard Lanham, The Electronic Word
- Allucquere Rosanne Stone, The War of Desire and Technology at
the Close of the
Mechanical Age
A photocopied bulkpack of additional readings is available at
Wharton Reprographics, Steinberg-Dietrich Hall, 37th and Locust Walk.
- Richard Kadrey and Larry McCaffery, "Cyberpunk 101"
- Bruce Sterling, "Preface" to Mirrorshades
- Lewis Shiner, "Inside the Movement: Past, Present and Future"
- Mary Fuller and Henry Jenkins "Nintendo and New World Travel Writing:
A
Dialogue"
- Richard MacKinnon, "Searching for the Leviathan in Usenet"
- Douglas Rushkoff, Cyberia, exerpts
- Vivian Sobchack, "New Age Mutant Ninja Hackers: Reading Mondo 2000"
- Stuart Moulthrop, "Rhizome and Resistence: Hypertext and the Dreams
of a New
Culture""
- Donna Haraway, "A Cyborg Manifesto"
- Sherry Turkle, Life on the Screen , exerpts
- Arthur Kroker, Spasm: Virtual Reality, Android Music, Electric
Flesh, exerpts
Other course materials will be available on-line, via links from our
class home page, at:
http://www.english.upenn.edu/~sgarfink/eng285/home.html
Check the home page frequently for additions and revisions to
bibliographies, hot lists,
collaborative writings, and this syllabus.
Course Requirements:
Journal/Scrapbook: Each member of the class will keep a
journal/scrapbook of cyber-
experience, consisting of thoughts on readings and class discussions, as
well as extra-
curricular cyberspace encounters. You will, at times, be asked to share
from the contents of
your journal with other class members as part of our ongoing
discussions. There are no
length requirements for the journal, but consistency is desirable. Do
whatever you feel is
appropriate to show your ongoing engagement with the issues of the
class. Journals may be
handwritten, but you may be asked to type some entries for posting to
e-mail or the web.
Papers: Two short 5-page papers will be due during the
course of the semester 1) a book
review (book to be selected in consultation with instructor, staggered
due dates) and 2) an
analysis of a cyberspace experience or encounter (due at latest after
Spring Break). You'll also
be asked to make a short presentation of your findings and argument in
class. An end-of-
semester paper (10-15 pages) will deal with a significant topic in
interpreting cyberspace. Each
student will meet with the instructor towards the middle of the semester
to discuss the scope
and direction of this paper, and a first draft will be due 3 weeks before
the end of the class. We
will hold in-class writing workshops to discuss final paper drafts. All
papers should be typed
and double-spaced, in a word processor compatible with DOS or Macintosh
formats.
World Wide Web: Each student will create a (series of)
World Wide Web page(s) during the
semester, to be linked to our course home page. This will include the
text of your three
papers, along with links to other resources and supplementary materials
as appropriate.
Though by no means required, "unconventional" presentations are welcome
upon
consultation. In-depth WWW work may be substituted for other writing in
the course, again
with consultation. For those unfamiliar with HTML and WWW, technical
assistance will be
provided.
PennMOO: PennMOO is Penn's virtual
classroom environment. Students will participate in
PennMOO sessions and construct at least one space relating to our topic,
for general use by the
MOO community. Again, technical assistance is provided. A more in-depth
PennMOO
project may be substituted for other writing in the course, upon
consultation.
Participation: In addition to regular, engaged
attendance at class sessions, participation will
include ongoing postings to our class e-mail discussion list, visits to
PennMOO, and personal
explorations of the Internet. Make every effort to attend extra sessions
as your schedule
permits: these may include movie viewings and field trips in addition to
PennMOO events.
Portfolio: At the end of the semester, you will turn in
a portfolio consisting of:
- your journal
- copies of your papers for the semester
- an introduction and pointers to your on-line work
to be evaluated in conjunction with your Web pages, MOO building, or
other on-line projects.
Course Calendar:
- Week of January 15
- M (15th)
- W (17th) Benedikt, "Introduction" in Cyberspace:
First Steps
- Week of January 22
- M (22th) Gibson, Neuromancer
- W (24th)
- Week of January 29
- M (29th) Piercy, He, She, and It
- W (31st)
- Week of February 5
- M (5th) Stephenson, Snow Crash
- W (7th)
- Week of February 12
- M (12th) In Cyberspace: First Steps:
- Tomas, "Old Rituals for New Spaces"
- Heim, "Erotic Ontology of Cyberspace"
- Novak "Liquid Architectures in Cyberspace"
- W (14th) In Cyberspace: First Steps:
- Morningstar and Farmer, "The Lesson
of Lucasfilm's Habibat"
- Tollander, "Collaborative Engines for
Multiparticipant
Cyberspaces"
- McFadden, "Notes on the Structure of Cyberspace"
- Bricken, "Virtual Worlds: No
Interface to Design"
- Week of February 19th
- M (19th) Fuller and Jenkins "Nintendo and New World Travel
Writing:
A Dialogue" (bulkpack)
MacKinnon, "Searching for the Leviathan in
Usenet" (bulkpack)
- W (21st) Kidder, Soul of the New Machine
- Week of February 26
- M (26th)
- W (28th) Rheingold, Virtual Community
- Week of March 4
- M (4th)
- W (6th) Rushkoff, Cyberia, exerpts (bulkpack)
Sobchak, "New Age Mutant Ninja Hackers: Reading
Mondo 2000"
(bulkpack)
additional online materials
- Week of March 11
- Week of March 18
- M (18th) Lanham, Electronic Word
Moulthrop, "Rhizomes and Resistence: Hypertext
and the Dreams of a
New Culture" (bulkpack)
*Virtual Adventure paper due
- W (20th)
- Week of March 25
- M (25th) In Cyberspace: First Steps:
Stone, "Will the Real Body Please Stand Up"
Haraway, "A Cyborg Manifesto" (bulkpack)
- W (27th) Turkle, Living on the Screen, exerpts (bulkpack)
Dibble, "A Rape in Cyberspace" (online)
- Week of April 1
- M (1st) Stone, War of Desire and Technology
Kroker, Spasm: Virtual Reality, Android
Music, Electric Flesh, exerpts
(bulkpack)
- W (3d) *drafts of final papers due
- Week of April 8
- M (8th) discuss paper drafts this week
- W (10th)
- Week of April 15
- M (15th) discuss paper drafts this week
- W (17th)
- Week of April 22
- M (22d) (topic to be announced)
- W (24th) last class
**Final portfolios and projects are due Monday, May 6.
(revised 1/15/96)