ENGLISH 3, Section 302 -- Writing About Literature and Society

Cultural Controversy in Contemporary America

Tuesdays and Thursdays, 9:00 - 10:30 AM
128 Bennett Hall

Instructor: Erika Lin
Email: elin@english.upenn.edu
Office: 4th floor Bennett Hall, cubicle A5
Office Hours: Wednesday 3:30 - 4:30 PM (2:45-3:45 beginning Oct. 8), Thursday 10:30 - 11:30 AM
Course listserv: lin3@english.upenn.edu
Course home page: http://www.english.upenn.edu/~elin/eng3.html

Last updated: 11/20/97


Course Description | Requirements and Grading |
Books, Films, Bulkpack | Useful Resources for Writers | Schedule

Course Description

This is a course on cultural controversies--controversies over art, film, fiction, music, photography--in contemporary America. We will study some of the texts on which recent controversies have been centered as well as the journalistic and academic commentary on those texts. Our aim will be not just to come to a better understanding of these kinds of cultural outbursts and of the social situations that produce them, but to learn how to write effectively about cultural matters without simply taking sides in simplistic evaluative debates. How does one write a good arts column or editorial, and how does that differ from simply expressing one's personal opinions (e.g. in a diary)? What is the difference between a book or movie review and a critical essay written for an English class or a scholarly journal? What does it mean to write in a "natural" or "authentic" as opposed to an "artificial" or even a "fraudulent" voice? How closely do different forms of writing correspond to different types of audience, and what audience should we think of as properly ours when we write about literature or other arts? These are the kinds of questions that will be taken up, both implicitly and explicitly, in English 3. You will be writing every week for this course, discussing and evaluating each other's writing on a regular basis, and meeting individually with me to discuss your writing. By the end of the semester you should all be much better writers than you are now, able to deal more readily with the various kinds of writing assignments you will be facing at Penn.

Requirements, Policies, and Grading

The requirements for this class fall into three categories: Attendance, Preparation and Participation, and Written Work.

Books, Films, Bulkpack

Resources for Writers

Penn provides a number of useful resources to help you improve your writing. Check these out:

Schedule

You can take shortcuts to:
unit 1, weeks 2-3 (Conrad) | unit 2, weeks 4-6 (Heather, Culture Wars) | unit 3, weeks 7-8 (Kids, Right Thing) | unit 4, weeks 9-10 (Santiago) | unit 5, weeks 11-13 (Rushdie)

Sept. 4

Reading:
none (introduction to the course and to each other)
Writing:
In-class diagnostic writing exercise.

Unit 1: Classic Literature and its Discontents -- Conrad's Heart of Darkness

Sept. 9

Reading:
Heart of Darkness (read all of it)
Writing:
In-class writing will be returned. Discussion of topic for Essay # 1.
Essay #1 -- Write 2 pages answering the question: Why should English professors assign (or avoid assigning) Heart of Darkness in their classes? You should submit two copies of Essay #1, one for me and one for peer review. DUE: SEPT. 11.

Sept. 11

Reading:
Heart of Darkness (cont'd)
Writing:
ESSAY #1 DUE. Be sure to submit two copies of your essay. You will be paired with another student and will peer-review each other's papers for Sept. 16.

Sept. 16

Reading:
Achebe, "Image of Africa" and Sarvan, "Racism in Heart of Darkness" (both in the Norton Heart of Darkness); Denby, "Jungle Fever" (bulkpack)
Writing:
Have your written comments and suggestions ready for the student whose paper you are peer reviewing. Based on the feedback you receive about your own essay, from your peer reviewer and from me (I will be handing back your paper today), you should revise it for Sept. 18.

Sept. 18

Reading:
Articles related to Heart of Darkness (cont'd)
Writing:
REVISED ESSAY #1 DUE. Individual Conferences to discuss your first essay and revision will be scheduled for next week.

Unit 2: Culture, Sexuality, and the Public Sphere: Heather Has Two Mommies, Mapplethorpe, and the NEA debates

Sept. 23

Reading:
Heather Has Two Mommies; John Barbarel, "Under 'Rainbow,' a War: When Politics, Morals, and Learning Mix," and other Heather readings (bulkpack).
Writing:
None

Sept. 25

Reading:
Heather and related readings (cont'd)
Writing:
Discussion of topic for Essay # 2.
Do a 20-minute freewriting exercise, then write your provisional thesis paragraph. Paper topic: Write a 3-4 page opinion column about culture and school curriculums or culture and taxpayer rights.
A draft of your thesis paragraph is due next class. The thesis can be very provisional at this point, but prepare a sufficiently polished paragraph that it will be worth discussing in workshop. THESIS PARAGRAPH DUE: SEPT. 30; ESSAY DUE: OCT. 7.

Sept. 30

Reading:
Culture Wars: Illustrations (309-328, and esp. 321- 328) and Chronology (331-363), D'Amato and Helms statements (28-30); Buchanan (31 and 137-8), Kramer (51 and 259). On Mapplethorpe: Brenson (68-70), Vorhees (173-75), Krauthammer (183-85).
Writing:
THESIS PARAGRAPH FOR ESSAY #2 DUE.

Oct. 2

[Rosh Hashanah]
Reading:
Havel (156), Finley (210, and 282-83), Danto (96-7), Guerrilla Girls poster (313) -- all in Culture Wars
Writing:
Keep working on Essay #2.

Oct. 7

Reading:
Goldstein (288-90) and Will (88-89) in Culture Wars; Pollitt, "Honk if you Like Art" (bulkpack)
Writing:
ESSAY #2 DUE.

Unit 3: Suburban Fears, Urban "Realities": Kids, Do the Right Thing, Gangsta Rap

Oct. 9

Reading:
View Kids at least once; consult the ResNet schedule for viewing times. Read reviews of Kids (these will be linked here if they are not in the bulkpack). You may also want to view Do the Right Thing before break if you are going to be away for several days.
Writing:
Discussion of topic for Essay #3.
Essay #3: (1) Freewriting Exercise. (2) Write a 3-4 page opinion column on either "Kids" or "Do the Right Thing." You might take as your starting point a position in one of the articles that you disagree with. ASSUME THAT YOUR AUDIENCE HAS ALREADY SEEN THE MOVIE (i.e avoid plot summary). Also, be sure to use class materials in your essay. Remember all the things we talked about before with regard to formulating a thesis. "I liked/hated it" or "such and such was really cheesy" is NOT a thesis statement. Instead, think about why you feel that way and see if it leads to a better thesis statement.
You should submit two copies of Essay #3, one for me and one for peer review. DUE: OCT. 28.

Oct. 14

FALL BREAK

Oct. 16

Reading:
Articles on Kids that were handed out in class.
Writing:
Work on Essay #3.

Oct. 21

Reading:
View Do the Right Thing at least once. Read Micah Morrison, "The World According to Spike Lee" and any other Right Thing readings in the bulkpack.
Writing:
Keep working on Essay #3.

Oct. 23

Reading:
Do the Right Thing (cont'd)
Writing:
Keep working on Essay #3.

Oct. 28

Reading:
Essays on rap on the web: Morgan, "Nigga Ya Hate to Love"; Ice Cube, "Bum Rap"; Gates, "Two Live Crew Decoded"; Harrison, "Lewd Music". Possible in-class or ResNet video viewings and/or MMETS audio tapes.
Writing:
ESSAY #3 DUE. Be sure to submit two copies of your essay. You will be paired with another student and will peer-review each other's papers for Oct. 30. Individual Conferences to discuss your essay will be scheduled.

Oct. 30

Reading:
Lanham, Style: An Anti-textbook (in bulkpack); Jack Lynch's Grammar and Style Guide (link)
Writing:
Workshop on style. Students should bring in a one-page style commentary (enough copies for the whole class), consisting of: a short passage from the essay they peer-reviewed; a sentence or two saying why this passage is flawed stylistically; and their own improved version of the passage. Return the essay you peer-reviewed with your summary comments and suggestions for revision.

Unit 4: Culture and the Scandal of Inauthenticity: Danny Santiago's Famous All Over Town

Nov. 4

Reading:
Santiago, Famous All Over Town, chaps 1-12
Writing:
Discussion of writing assignment for Nov. 6 workshop. These will be peer-reviewed, and some will be read aloud to the class, but they will not be evaluated by me.

Nov. 6

CLASS CANCELLED Sorry, folks, I'm just really not feeling well. Please check your email, if you haven't done so already, for more information about assignments, rescheduling conferences, etc.

Nov. 11

Reading:
Finish reading Famous; read Dunne, "The Secret of Danny Santiago" (bulkpack)
Writing:
WORKSHOP WRITING ASSIGNMENT DUE. Workshop will involve peer review, and some assignments will be read aloud. Discussion of topic for Essay #4.
Essay #4 DUE: Nov. 18.
This essay is OPTIONAL. If you choose to write Essay #4, that means there will be FIVE essays (and revisions for each one) in your final portfolio. I will average the grades for each essay (with allowances made for improvement, etc.), and then I will drop the lowest grade so that your final portfolio grade will consist of your average grade on each of FOUR essays plus credit for other writing such as the workshop assignments, in-class writing, listserv posts, etc. If you choose to write Essay #4, it should be a 2-3 page essay on race and authenticity in Famous All Over Town. Be sure NOT to write a broad, general paper on this very broad and imprecise topic. Instead, formulate a narrow, narrow thesis statement focusing on just one aspect within this large topic and then use very specific examples to help prove that thesis. Perhaps pick one short paragraph and just show in detail how, even in that short passage, your thesis statement works.

Nov. 13

Reading:
Famous (cont'd)
Writing:
None.

Nov. 18

Reading:
Gates, "'Authenticity,' or the Lesson of Little Tree" (bulkpack); get started on Satanic Verses
Writing:
Essay #4 (OPTIONAL) due TODAY.

Unit 5: Culture and the Sacred: Satanic Verses for American Readers

Nov. 20

Reading:
Satanic Verses, Parts I-II (pp. 1-130)
Writing:
Discussion of topic for Essay #5.
Essay #5: 5-page paper on Satanic Verses. Rough draft due: Dec. 4. Final draft due: Dec. 9.
See assignment for next time for ideas on how to get started on this paper before you've finished reading the novel.

Nov. 25

Reading:
Satanic Verses, Parts III & IV (pp. 131-248)
Writing:
Write 1-2 paragraphs about a thread, theme, image, etc. you think you might want to write about for Essay #5. Note ideas and questions you might want to explore in your paper, and come up with a provisional thesis statement.

Nov. 27

THANKSGIVING

Dec. 2

Reading:
Satanic Verses, Parts V and VI (pp. 249-408); try to read ahead for next time, too; bulkpack readings on the Rushdie Affair
Writing:
Work on Essay #5 rough draft.

Dec. 4

Reading:
Satanic Verses, Parts VII to end (pp. 409-561)
Writing:
Rough draft for Essay #5 due. Bring in 2 copies, one for me, one for peer reviewer.
Evaluation forms.

Dec. 9

EXTRA CLASS: 10:30 AM - Noon. Location: TBA
Reading:
none (final, open discussion of culture and the nature of cultural controversies in contemporary America)
Writing:
ESSAY #5 DUE.
Work on final portfolio. Review of the course, its strengths and weaknesses, especially as regards your writing.

Dec. 12 (Fri.)

FINAL PORTFOLIOS DUE.