Week 1, Aug. 30
Introduction to the Course
Reading Assignments to be discussed next week:
Frances Mayes: Selections from Discovery of Poetry:
"Words: Texture and Sound" and "Images: The Perceptual Field"
Sylvia Plath: "Poppies in October"
"Morning Song"
William Carlos Williams: "The Sparrow"
Lorine Niedecker: From My Friend Tree: "The clothesline post" and "Well, spring"
Writing Assignment (due next week):
After reading the selection from Discovery of Poetry, choose one poem
and write a two-page paper focusing on how you think figurative language
is used in the poem. These papers will help form the basis for our
class discussion.
Week 2, Sept. 6
Figurative Language-Part 1
What is it? How does it function in a poem?
Lecture/Discussion:
Students will split into pairs and share their papers with one another.
Class will then reconvene as a group to discuss figurative language generally,
and in specific as related to the poems under discussion next week.
Reading Assignments to be discussed next week:
Selections from The Prose Poem: An International Anthology
Cormac McCarthy: Excerpt from Blood Meridian
Robert Gluck: Excerpt from Margery Kempe
Writing Assignment (due next week):
At least five tercets (three lines) which focus on bringing images
to life. This is a chance to call on each of your five senses:
What do you see? hear? taste? smell? Think in terms
of specificity rather than generality. Have fun with it!
Week 3, Sept. 13
Figurative Language-Part 2
How do prose writers use figurative language?
We will look at fiction and the prose poem.
Reading Assignment to be discussed next week:
Selections from Discovery of Poetry
Writing Assignment (due next week):
At least two short poems which illustrate some aspect of form or meter.
Include working notes which illustrate what you were working with/ thinking
about/ experimenting with in the poems.
Week 4, Sept. 20
Forms of poetry
Lecture/Discussion:
Discussion of form and meter, using student exercises as examples.
Week 5, Sept. 27
Uses of a Writing Journal
Lecture/Discussion:
Discussion of how to effectively use a writing journal to promote
individual writing practice. In-class writing exercises to stimulate
further writing will be assigned.
Writing Assignment (due next week):
Completion of one of the journal writing exercises to be discussed
in class.
Week 6, Oct. 4
Viewing and discussion of a multi-genre anthology tape from American
Poetry Archives (e.g. "Women Working in Literature)
Writing Assignment (due next week):
Select an image, line, idea, sound, etc. from your journal notes taken
during the viewing of the tape. Use this as a way into a new piece
of writing (all forms acceptable). You may think of this as a kind
of "dialogue" with the work you are responding to from the tape.
Reading Assignments for Next Week*:
Karen Brodine: "Woman Sitting at the Machine, Thinking"
Erica Hunt: Selections from Local History
Kevin Magee: Selections from Tedium Drum
*Students will be asked to specifically prepare comments on one piece
for class discussion.
Week 7, Oct. 11
Subjectivity in Contemporary Poetry
How do we write about the self?
Contemporary poets have employed divergent strategies for addressing
the issue of subjectivity. The week we will investigate poems by
three poets who may in some sense be said to address working class experience
in late 20th century capitalism, while at the same time employing widely
different writing practices. How can these writers be said to be
inscribing "history" in their work?
Students up for next week need to bring 27 copies of the piece they want discussed to hand out to classmates today.
Reading Assignments for Next Week:
"What The Writer Needs To Know From Us (and in this order)"
Student Writings for Workshop
Week 8, Oct. 18
Workshop (Half of class)
This week we will conduct a workshop using student work written in response to last week's writing assignment.
Reading Assignment for next week:
Handout on creating characters.
Writing Assignment for next week:
Fill out character "Questionnaire"
Week 9, Oct. 25
Creating Characters
Writing Assignment (due next week):
One scene using the character you have created.
Week 10, Nov. 1
Dialogue-Part 1
Fiction
Reading Assignment for next week:
How to Read a Play
Cherrie Moraga: Giving Up the Ghost
Writing Assignment (due next week):
An elaboration of scene incorporation dialogue.
Week 11, Nov. 8
Dialogue-Part 1
Drama
Setting the scene
Week 12, Nov. 15
Fiction
Structure and plot
Week 13, Nov. 22
Revision
Guests speakers will discuss their writing process.
Students up for next week need to bring 27 copies of their work to hand out today.
Week 14, Nov. 29
Workshop (Second half of class)
Week 15, Dec. 6
Reading and Party. Friends and significant others encouraged to attend!