Theatre Arts 274
DRAMATURGY
Professor Mazer
Fall 2006
519 Annenberg Center, 3-2659;
cmazer@english.upenn.edu
Office Hours:
Tu 1:30-3:00, Th 11:00-11:50, and by appointment
THERE IS NO SYLLABUS, PER SE, FOR THIS COURSE;
the course is not organized on a tight schedule of weekly readings and
occasional writing assignments. Rather,
there will be regular in-class discussions of ongoing topics through the
semester, with some of them cued to specific readings; and there will be
regular assignments of succinct oral
presentations (since much of the dramaturg’s work in the theatre involves
making succinct and persuasive oral presentations). One
of the presentations (weekly) will be individual; other assignments will be team presentations (since virtually all
of the dramaturg’s work in the theatre involves collaboration as a team
member). At the end of the semester,
there will be a team writing
assignment.
I. Discussion Topics and Readings.
Topics include:
What is a dramaturg? What is the
dramaturg’s function? What is the
dramaturg’s function in relation to certain institutional structures, special
tasks, ways of organizing rehearsals, etc.?
Readings will be drawn, for the most part, from Dramaturgy in American Theater: A Source Book, ed. Susan Jonas, Geoffrey
S. Proehl, and Michael Lupu. Essays to
be read include:
Anne
Cataneo, “Dramaturgy: An Overview.”
Joel
Schechter, “In the Beginning There Was Lessing ... Then Brecht, Müller and
Other Dramaturgs.”
Martin
Esslin, “Towards an American Dramaturgy:
Adapting the function of dramaturgy to U.S. conditions.”
Geoffrey
S. Proehl, “The Images Before Us: Metaphors
for the Role of the Dramaturg in American Theater.”
and other essays to be announced. There way be additional readings, for other
sources, depending on our other work during the semester.
II. The Grab Bag (weekly, individual).
Each Tuesday, each student will draw a
dramaturgical question at random from a hat.
BEFORE CLASS the following Tuesday, each student will post the answer to
the question on the
courseweb.library.upenn web site (see below), and bibliographical references
(reference book, web site, etc.) for the sources of the information; in the
Tuesday class, each student will make a brief
presentation of the answer to the question.
III. Dramaturging the Season.
Over the course of the semester, we will be
working on two plays: Julius Caesar, by William Shakespeare,
and Stuff Happens, by David Hare.
A) For Julius Caesar, we will consult with an
(imaginary) director and design team on the following:
1) The play’s structure and dramatic strategies.
2) The “story”—dramatic, political,
character-based, etc.—we may want our production to “tell.”
3) How, where, and when the director might want
to set the play to help “tell” this “story.”
To help the director prepare, the class will be
divided into TWO OR THREE dramaturgical teams.
At dates to be determined over the course of the semester, these teams
will prepare materials to be presented in class about:
1) Potential doubling schemes.
2) Texts and editions.
3) Cutting and rearranging the script.
4) The conditions, conventions, and meanings of
the play’s original staging.
5) The play’s production history.
6) The period in which we are setting the
production, and/or images, objects, textures, etc., that will be useful to the
director, designers, and actors in telling the story we have chosen to tell.
Readings will be assigned from Andrew James
Hartley, The Shakespearean Dramaturg,
at dates to be determined.
B) For Stuff Happens, the class will discuss
aspects of the play, and the teams will prepare material, as we will determine,
based in part on decisions we make about Julius
Caesar.
V. The final writing assignment (team).
At the end of the semester (at a date to be
announced) each team will present a set of written materials for THE ENTIRE
SEASON, including some or all of the following:
a) a program note about the playwrights; b) a program note about the
plays and the (hypothetical) productions; c) a packet of materials for a
program insert or a subscriber bulletin; d) a packet of materials to be sent to
the press; and e) a packet of materials to be sent to school groups. These materials should be posted on the
website for comment, and presented in the final class. Team members can divide the responsibilities
as they choose, but ALL team members will be responsible for ALL of the team’s
work.
Attendance
and participation are mandatory.
Persistent unexcused absences, especially an absence on a day of an
individual or team presentation, will be reflected in your semester grade.
The books for the course (Dramaturgy in American Theater:
A Source Book; The
Shakespearean Dramaturg: A Theoretical
and Practical Guide; and Stuff
Happens) are available for purchase in the Penn Book Center (34th and
Sansom). You should acquire your own
copy (of a modern edition) of Julius
Caesar; the differences in the editions may be useful for us in class. There may
be a bulkpack for this course later in the semester; if so, it will be
available at the Campus Copy Center, 3900 block of Walnut St.
The listserv for this course is
THAR274-401-06C@lists.upenn.edu. You
have been subscribed automatically. If
you do not seem to be on it, or if you drop the course and wish to be
unsubscribed, please send a note to cmazer@english.upenn.edu. You may wish to create aliases or listservs
for your individual teams.
An electronic version of this syllabus,
including a hot link to the dramaturgy web site, is available on line at:
http://www.english.upenn.edu/*cmazer/274f06.html. Make a bookmark on your web browser for this
site. In addition, we will be using a
“Blackboard” web site for this course.
Set your browser to https://courseweb.library.upenn.edu/ and bookmark
the site. You should be automatically
subscribed to the site. CHECK THIS SITE
DAILY. The web site will include daily
announcements (including information about theatregoing assignments), and an
electronic copy of the syllabus. The
site also includes a discussion group, with access restricted to members of the
course. We may discover other class and
team uses for this web site over the course of the semester.