SHAKESPEARE: STAGE CENTERED APPROACHES

Professor Mazer

Spring 2004

519 Annenberg Center, 3-2659; cmazer@english.upenn.edu

Office Hours: Tuesdays: 1:30-3:00; Thursdays: 10:30-11:45; and by appointment

e-mail: cmazer@dept.english.upenn.edu

I. Language, objectives, action: Sonnets; Chorus and scenes from Romeo and Juliet.

John Barton, Playing Shakespeare, Cicely Berry, The Actor and the Text, (chapters TBA).

II. Shakespeare’s Stage and Stagecraft: The Winter’s Tale.

Essays and chapters by Alan C. Dessen:

“Linking Analogue” (from Elizabethan Drama and the Viewer’s Eye); “Elizabethan Darkness and Modern Lighting,” and “Theatrical Metaphor: Seeing and Not-Seeing” (from Elizabethan Stage Conventions and Modern Interpreters); “Much virtue in As,” and “The Vocabulary of ‘Place,’” (from Recovering Shakespeare’s Theatrical Vocabulary). (bulkpack)

III. Text and Performance.

IV. Playing the Scene/Building a Play: The Winter’s Tale.

V. The Actor: Creating a Role.

Philip Brockbank, ed., Players of Shakespeare 1; Russell Jackson and Robert Smallwood, eds., Players of Shakespeare 2, Players of Shakespeare 3, and Players of Shakespeare 4 (chapters TBA).

VI. Speaking the Verse, Creating the Character.

Richard Paul Knowles, “Shakespeare, Voice, and Ideology: Interrogating the Natural Voice”; Sarah Werner, “Performing Shakespeare: Voice Training and the Feminist Actor,” with responses from Cicely Berry, Patsy Rodenburg, and Kristin Linklater, and follow up response from Sarah Werner (bulkpack)

VII. The Director: Conceiving a Production: The Winter’s Tale.

Requirements/Grading:

There will be TWO take-home assignments, at dates to be announced, and A FINAL TERM PAPER/PROJECT on The Winter’s Tale. ATTENDANCE IS REQUIRED AT ALL CLASSES, as is scene-work as assigned. ABSENCE FROM ANY CLASS AT WHICH YOU ARE SCHEDULED TO PRESENT A SCENE, ESPECIALLY IF IT IS WITH A PARTNER WILL AUTOMATICALLY BE REFLECTED IN YOUR GRADE. You are responsible for scheduling your own rehearsal time for assignments that require it. Lateness to class impedes our collective work, and is a discourtesy to your fellow students, and will be reflected in your grade.

Theatre Productions to be seen (dates and group rates to be arranged):

Philadelphia Shakespeare Festival: As You Like It: Feb. 27-Apr. 24.

People’s Light & Theatre Company, Julius Caesar: Mar. 10-May 2

Guthrie Theatre, at the Annenberg Center, Othello: Mar. 17-21.

Books to be purchased, Pennsylvania Book Center (34th and Sansom Sts.):

John Barton, Playing Shakespeare, Anchor.

Cicely Berry, The Actor and The Text, Applause.

William Shakespeare, The Sonnets, Pelican Shakespeare.

William Shakespeare, The Winter’s Tale, Pelican Shakespeare.

Bulk-Pack to be purchased, Campus Copy Center (3907 Walnut Street):

An electronic version of this syllabus (http://www.english.upenn.edu/~cmazer/236sp04.html). Make a bookmark for this site on your web browser. The listserv for this course is THAR236-401-04A@lists.upenn.edu. You have been subscribed automatically. If you do not seem to be on it, or if you drop the course and wish to be unsubscribed, please send a note to cmazer@english.

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