Theatre Arts 112/English 98
Theatre, History, Culture III:
Modernism to Post-Modernism
519 Annenberg Center, 3-2659; firstname.lastname@example.org
Office Hours: Tuesdays and Thursdays, 1:30-2:30, and by appointment
September 8: Introduction.
I. Against/Beneath/Beyond Realism
September 13: Anton Chekhov, The Seagull.
September 15: The Seagull (cont.); Maurice Maeterlinck, “The Tragic in Everyday Life,” and The Intruder (bulkpack).
[REQUIRED THEATREGOING: Look/Alive, Theatre Arts Program, Bruce Montgomery Theatre, Annenberg Center, September 15-17, 7PM]
September 20: Edward Gordon Craig, “The Actor and the Über-Marionette” from On the Art of the Theatre (bulkpack); Adolphe Appia, “Ideas on a Reform of our Mise en Scène (bulkpack)”; William ButlerYeats, At the Hawk’s Well and Purgatory (bulkpack).
II. Dada and Surrealism
September 22: Alfred Jarry, Ubu Roi (bulkpack); Guillaume Apollinaire, The Breasts of Tiresias (bulkpack).
III. The Theatre of Cruelty
September 27: Robert Leach, “Antonin Artaud,” in Makers of Modern Theatre; Antonin Artaud, “Metaphysics and the Mise en Scène,” “On the Balinese Theater,” “No More Masterpieces,” “The Theater and Cruelty,” and “Theater of Cruelty (first manifesto)” from The Theater and its Double (bulkpack).
September 29: NO CLASS
October 4: Kenneth Macgowan and Robert Edmond Jones, “Beyond Realism,” “The Living Stage,” and “Masse-Mensch—Mob-Man,”from Continental Stagecraft (bulkpack); Ernst Toller, Man and the Masses (bulkpack)
V. Constructivism and Bio-Mechanics
October 6: Robert Leach, “Vsevolod Emilievich Meyerhold,” in Makers of Modern Theatre; Mel Gordon, “Meyerhold’s Biomechanics” (bulkpack); Vsevolod Meyerhold, “Observations on the Play” and “Meyerhold at Rehearsal” (bulkpack).
VI. The Epic Theatre
October 13: Robert Leach, “Bertolt Brecht,” in Makers of Modern Theatre; Bertolt Brecht, “The Modern Theatre is the Epic Theatre,” “Theatre for Pleasure or Theatre for Instruction,” “Alienation Effects in Chinese Acting,” “The Street Scene” (bulkpack).
October 18: Brecht, The Caucasian Chalk Circle.
[Approximate date: FIRST TAKE-HOME ASSIGNMENT]
VII. American Expressionism
October 20: Eugene O’Neill, “A Manifesto on Masks” (bulkpack); Sophie Treadwell, Machinal.
VIII. American Political Theatre, American Realism and Beyond
October 25: Clifford Odets, Waiting for Lefty and Awake and Sing!
October 27: Awake and Sing! (cont.); Lee Strasberg, “The Voyage Continues II: The Actors Studio and My Classes,” A Dream of Passion (bulkpack).
IX. Theatre of the Absurd
November 1: Samuel Beckett, Endgame.
November 3: Peter Brook, The Empty Space.
November 8: Film viewing, on reserve in Rosengarten: Peter Weiss, Marat/Sade, directed by Peter Brook.
[REQUIRED THEATREGOING: Endgame: Gate Theatre, Harold Prince Theatre, Annenberg Center, Nov. 8-13]
XI. The Actor and the Body
November 10: Jerzy Grotowski, “Towards a Poor Theatre,” “The Theatre’s New Testament,” and “He Wasn’t Entirely Himself,” from Towards a Poor Theatre (bulkpack).
[Approximate date: SECOND TAKE-HOME ASSIGNMENT]
XII. Post-Colonial Theatre
November 15: Brian Crow and Chris Banfield, “Introduction,” from An Introduction to Post-Colonial Theatre (bulkpack); Girish Karnad, Naga-Mandala (Blackboard).
November 17: TO BE ANNOUNCED
XIII. Performance Anthropology and the New Inter-Culturalism
November 22: Interviews and articles on The Mahabharata, from Peter Brook: A Theatrical Casebook, ed. David Williams, pp. 353-390 (bulkpack); Gautam Dasgupta, “Peter Brook’s ‘Orientalism’” (Blackboard); Maurya Wickstrom, “Commodities, Mimesis, and The Lion King: Retail Theatre for the 1990s,” (Blackboard); slides, and video clips about Peter Brook’s Mahabharata and Ariane Mnouchkine’s Shakespeare and Aeschylus.
XIV. Feminist Theory and Performance
November 29: Jill Dolan, “The Discourse of Feminism: The Spectator and Representation,” from The Feminist Spectator as Critic (bulkpack; Caryl Churchill, Cloud Nine; Rhonda Blair, “‘Not … but’/‘Not-not-me’: Musings on Cross-Gender Performance” (bulkpack).
XVI. Post-Modern Drama, Post-Dramatic Theatre, and The Theatre of Images
December 1: Suzan-Lori Parks, The America Play; Sarah Kane, 4.48 Psychosis.
December 6: Richard Foreman, “Foundations for a Theater,” “Directing the Actors, Mostly,” “Visual Composition, Mostly,” from Unbalancing Acts (bulkpack); slides and video-tapes of productions by Robert Wilson, Richard Foreman.
December 8: Catch-up and Conclusions.
There will be TWO take-home essay assignments (approximately 5 pages), plus a choice of A FINAL TERM PAPER (approximately 10-12 pages), due on WEDNESDAY, DECEMBER 14, the first day of the exam period, OR A FINAL EXAM, to be scheduled by the registrar. The topic for the final term paper must MUST BE APPROVED IN ADVANCE, in person, by THURSDAY, DECEMBER 1; if you have not received approval for the topic by the date, YOU HAVE JUST CHOSEN TO TAKE THE EXAM. Late term papers will not be accepted; if you do not turn in your paper by 5PM on Wednesday, December 14, YOU HAVE JUST CHOSEN TO TAKE THE EXAM.
Attendance in class is crucial; CHRONIC ABSENCE OR LATENESS WILL BE COUNTED AGAINST YOU.
Grade: Final term-paper or exam: 40%
First take-home: 25%
Second take-home: 25%
Participation (minus attendance problems): 10%
Please familiarize yourself with the rules of academic intergrity, at http://www.vpul.upenn.edu/osl/acadint.html. I will rigorously pursue violations of the code.
The following books can be purchased at the Penn Book Center, 34th and Sansom Sts.:
Anton Chekhov, The Major Plays
Robert Leach, Makers of Modern Theatre
Sophia Treadwell, Machinal
Clifford Odets, Waiting for Lefty and Other Plays
Bertolt Brecht, The Caucasian Chalk Circle
Samuel Beckett, Endgame
Peter Brook, The Empty Space
Caryl Churchill, Cloud Nine
Suzan-Lori Parks, The America Play
Sarah Kane, 4.48 Psychosis
The bulkpack can be purchased at the Campus Copy Center, 39th and Walnut.
The listserv for this course is THAR112-401-10C@lists.upenn.edu. You have been subscribed automatically. If you do not seem to be on it, or if you drop the course and wish to be unsubscribed, please send a note to cmazer@english.
The syllabus for this course is available at http://www.english.upenn.edu/~mazer/112f11.htm. Make a bookmark on your web browser for this site. There is a Blackboard web site for this course, to which you are automatically subscribed, which includes an electronic copy of the syllabus, and (under “Course Documents”) downloadable pdf files of several of the course readings.