Theatre Arts 112/English 98
Theatre,
History, Culture III:
Modernism
to Post-Modernism
Professor Mazer
Fall 2010
519 Annenberg Center, 3-2659; cmazer@english.upenn.edu
Office Hours: Tuesdays and Thursdays, 1:30-3:00, and by appointment
[September 8: No class]
I. Against/Beneath/Beyond Realism
September 14: Introduction. Anton Chekhov, The Seagull.
[REQUIRED THEATREGOING: Transfixed, Theatre Arts Program, Montgomery Theatre, September 15 and 16]
September 16: The Seagull (cont.); Maurice Maeterlinck, The Tragic in Everyday Life, and The Intruder (bulkpack).
September 21: Edward Gordon Craig, The Actor and the
ber-Marionette from On the Art of the Theatre (bulkpack); Adolphe Appia, Ideas on a Reform of our Mise en
Scne (bulkpack); William ButlerYeats, At
the Hawks Well and Purgatory (bulkpack).
II. Dada and Surrealism
September 23: Alfred Jarry, Ubu Roi (bulkpack); Guillaume Apollinaire, The Breasts of Tiresias (bulkpack).
III. The Theatre of Cruelty
September 28: Robert Leach, Antonin Artaud, in Makers of Modern Theatre; Antonin Artaud, Metaphysics and the Mise en Scne, On the Balinese Theater, No More Masterpieces, The Theater and Cruelty, and Theater of Cruelty (first manifesto) from The Theater and its Double (bulkpack).
IV. Expressionism
September 30: Kenneth Macgowan and Robert Edmond Jones, Beyond Realism, The Living Stage, and Masse-MenschMob-Man,from Continental Stagecraft (bulkpack); Ernst Toller, Man and the Masses (bulkpack).
[REQUIRED THEATREGOING, to be arranged: The Threepenny Opera, The Arden Theatre, Sept. 30-Nov. 7]
V. Constructivism and Bio-Mechanics
October 5: Robert Leach, Vsevolod Emilievich Meyerhold, in Makers of Modern Theatre; Mel Gordon, Meyerholds Biomechanics (bulkpack); Vsevolod Meyerhold, Observations on the Play and Meyerhold at Rehearsal (bulkpack).
VI. The Epic Theatre
October 7: Robert Leach, Bertolt Brecht, in Makers of Modern Theatre; Bertolt Brecht, The Modern Theatre is the Epic Theatre, Theatre for Pleasure or Theatre for Instruction, Alienation Effects in Chinese Acting, The Street Scene (bulkpack).
[Fall Break]
October 14: Readings: Brecht, The Threepenny Opera.
[Approximate date: FIRST TAKE-HOME ASSIGNMENT]
VII. American Expressionism
October 19: Eugene ONeill, A Manifesto on Masks (bulkpack); Sophie Treadwell, Machinal.
VIII. American Political Theatre, American Realism and Beyond
October 21: Clifford Odets, Waiting for Lefty and Awake and Sing!
October 26: Awake and Sing! (cont.); Lee Strasberg, The Voyage Continues II: The Actors Studio and My Classes, A Dream of Passion (bulkpack).
IX. Theatre of the Absurd
October 28: Samuel Beckett, Endgame.
X. Synthesis
November 2: Peter Brook, The Empty Space.
November 4: Film viewing, on reserve in Rosengarten: Peter Weiss, Marat/Sade, directed by Peter Brook.
XI. The actor and the Body
November 9: Jerzy Grotowski, Towards a Poor Theatre, The Theatres New Testament, and He Wasnt Entirely Himself, from Towards a Poor Theatre (bulkpack).
XII. Post-Colonial Theatre
November 11: Brian Crow and Chris Banfield, Introduction, from An Introduction to Post-Colonial Theatre (bulkpack); Girish Karnad, Naga-Mandala (downloadable from the Blackboard website).
[REQUIRED THEATREGOING: The Laramie Project and Laramie, Ten Years Later, Tectonic Theatre, Annenberg Center, Nov. 11-13]
XIII. Performance Anthropology and the New Inter-Culturalism
November 16: Interviews and articles on The Mahabharata, from Peter Brook: A Theatrical Casebook, ed. David Williams, pp. 353-390 (bulkpack); Gautam Dasgupta, Peter Brooks Orientalism (downloadable for the Blackboard website); slides, and video clips about Peter Brooks Mahabharata and Ariane Mnouchkines Shakespeare and Aeschylus.
[REQUIRED THEATREGOING: Urinetown, Theatre Arts Program, Nov. 15-18]
[Approximate date: SECOND TAKE-HOME ASSIGNMENT]
November 18: [TO BE ANNOUNCED]
XIV. Feminist Theory and Performance
November 23: Jill Dolan, The Discourse of Feminism: The Spectator and Representation, from
The Feminist Spectator as Critic
(bulkpack; Caryl Churchill, Cloud Nine; Rhonda Blair, Not
but/Not-not-me: Musings on Cross-Gender Performance (bulkpack).
[Thanksgiving]
XV. Documentary Theatre
November
30: Moises Kaufman and Tectonic
Theatre, The Laramie Project.
XVI. Post-Modern Drama, Post-Dramatic
Theatre, and The Theatre of Images
December
2: Suzan-Lori Parks, The
America Play; Sarah Kane, 4.48
Psychosis.
December
7: Richard Foreman, Foundations
for a Theater, Directing the Actors, Mostly, Visual Composition, Mostly,
from Unbalancing Acts (bulkpack);
slides and video-tapes of productions by Robert Wilson, Richard Foreman.
December
9: Catch-up and conclusions.
There
will be TWO take-home essay assignments (approximately 5 pages), plus a choice
of A FINAL TERM PAPER (approximately 10-12 pages), due on MONDAY, DECEMBER 13,
the first day of the exam period, OR A FINAL EXAM, to be scheduled by the
registrar. The topic for the final
term paper must MUST BE APPROVED IN ADVANCE, in person, by TUESDAY, NOVEMBER
30; if you have not received approval for the topic by the date, YOU HAVE JUST
CHOSEN TO TAKE THE EXAM. Late term
papers will not be accepted; if you do not turn in your paper by 5PM on Monday,
December 13, YOU HAVE JUST CHOSEN TO TAKE THE EXAM.
Attendance
in class is crucial; CHRONIC ABSENCE OR LATENESS WILL BE COUNTED AGAINST YOU.
Please
familiarize yourself with the rules of academic intergrity, at
http://www.vpul.upenn.edu/osl/acadint.html. I will rigorously pursue violations of the code.
The
following books can be purchased at the Penn Book Center, 34th and Sansom Sts.:
Anton
Chekhov, The Major Plays
Robert
Leach, Makers of Modern Theatre
Sophia
Treadwell, Machinal
Clifford
Odets, Waiting for Lefty and Other Plays
Bertolt
Brecht, The Threepenny Opera
Samuel
Beckett, Endgame
Peter
Brook, The Empty Space
Caryl
Churchill, Cloud Nine
Moises
Kaufman, The Laramie Project
Suzan-Lori
Parks, The America Play
Sarah
Kane, 4.48 Psychosis
The
bulkpack can be purchased at the Campus Copy Center, 39th and Walnut.
The
listserv for this course is THAR112-401-10C@lists.upenn.edu. You have been subscribed
automatically. If you do not seem
to be on it, or if you drop the course and wish to be unsubscribed, please send
a note to cmazer@english.
The
syllabus for this course is available at
http://www.english.upenn.edu/~mazer/112f10.htm. Make a bookmark on your web browser for this site. There is a Blackboard web site for this
course, to which you are automatically subscribed, which includes an electronic
copy of the syllabus, and (under Course Documents) downloadable PDF files of
several of the course readings. We
may discover other uses for this web site over the course of the semester.