Theatre, History, Culture II:
Romantics, Realists, and Revolutionaries
Theatre Arts 102
Cary Mazer
Spring 2016
Mazer: 519 Annenberg Center, 3-2659; cmazer@english.upenn.edu
Office Hours: Tuesdays and Thursdays, 1:30-2:30, and by appointment
January 14: Introduction
January 19: Romanticism:
Friedrich Schiller, The Pathetic (Canvas), Victor Hugo, Preface to Cromwell (Canvas).
January 21: Romanticism (cont.):
Victor Hugo, The King Amuses Himself (Canvas).
January 26: Pictorial Realism:
Martin Meisel, Preamble to the Picture Play, from Realizations (Canvas), Georg II, Duke of Saxe-Meiningen, Pictorial Motion (Canvas), Richard Wagner, The Art-Work of the Future (Canvas).
January 28: Domestic Realism:
T.W. Robertson, Caste (Canvas).
February 2: Realism:
Henrik Ibsen, A Doll House; Gay Gibson Cima, Discovering Signs: the Emergence of the Critical Actor in Ibsen
(Canvas); watch the video of the Young Vic production, directed by Carrie Cracknell (only after you have read the play), at https://proxy.library.upenn.edu:9066/productions/a-dolls-house).
February 4: Realist Acting:
Robert Leach, Constantine Stanislavsky, in Makers of Modern Theatre, Konstantin Stanislavski, Action, If, Given Circumstances in An Actors Work (Canvas).
[REQUIRED THEATREGOING: Theatre Arts Program, script-in-hand reading, Bruce Montgomery Theatre, Friday, February 5.]
February 9: Realism (cont.):
Anton Chekhov, The Seagull.
February 11: The Reaction Against Realism:
Edward Gordon Craig, The Actor and the ber-Marionette from On the Art of the Theatre (Canvas); Maurice Maeterlinck, The Tragic in Everyday Life (Canvas); Jean Cocteau, Preface to The Eiffel Tower Wedding Party (Canvas), Robert Leach, Vsevolod Emilievich Meyerhold, in Makers of Modern Theatre, pp. 69-92.
February 16: Theatre of Cruelty:
Robert Leach, Antonin Artaud, in Makers of Modern Theatre; Antonin Artaud, Metaphysics and the Mise en Scne, On the Balinese Theater, No More Masterpieces, The Theater and Cruelty, and Theater of Cruelty (first manifesto) from The Theater and its Double (Canvas).
February 18: Bertolt Brecht:
Robert Leach, Bertolt Brecht, in Makers of Modern Theatre; Bertolt Brecht, The Modern Theatre is the Epic Theatre, Theatre for Pleasure or Theatre for Instruction, Alienation Effects in Chinese Acting, The Street Scene (Canvas).
February 23: Brecht, The Caucasian Chalk Circle.
February 25: American Expressionism:
Eugene ONeill, A Manifesto on Masks (Canvas); Sophie Treadwell, Machinal.
[Theatre Arts Program/Writers House: Penn Plays Project: workshop/reading of Mirrors, by Michael Lobman.]
March 1: American Political Theory (and realism):
Helen Krich Chinoy, The Poetics of Politics: Some Notes on Style and Craft in the Theatre of the Thirties (Canvas); Clifford Odets, Waiting for Lefty (Canvas).
March 3: American Stanislavskianism:
Lee Strasberg, The Voyage Continues II: The Actors Studio and My Classes, from A Dream of Passion (Canvas), David Krasner, Strasberg, Adler and Meisner: Method acting (Canvas).
[March 4: First take-home assignment due.]
[spring break]
March 15: Theatre of the Absurd.
Samuel Beckett: Endgame, Martin Esslin, The Theatre of the Absurd (Canvas).
March 24: Poor Theatre/Holy Theatre:
Jerzy Grotowski, Towards a Poor Theatre, The Theatres New Testament, and He Wasnt Entirely Himself, from Towards a Poor Theatre (Canvas).
March 17: 60s/70s:
Julian Beck, Meditations and Questions from The Life of the Theatre (Canvas), Richard Schechner, On Environmental Design (Canvas), Joseph Chaikin, Chapter I from The Presence of the Actor (Canvas).
March 22: Gender and Theatre:
Dolan, Jill, The Discourse of
Feminisms: The Spectator and Representation (Canvas), Elin
Diamond, Brechtian
Theory/Feminist Theory: Toward a Gestic Feminist
Criticism (Canvas).
[March
24: TBA]
March 29: Gender and Drama:
Caryl Churchill, Cloud Nine, Rhonda Blair, Not but/Not-not-me: Musings on Cross-Gender Performance (Canvas).
April 5: Solo Performance:
Marvin Carlson, Performance and Identity in Performance: A Critical Introduction (Canvas).
April 7: Post-Dramatic Theatre:
Suzan-Lori Parks, The America Play; Sarah Kane, 4.48 Psychosis.
[REQUIRED THEATREGOING: Theatre Arts Program, The Eumenides, University Museum, April 7-9.]
[April 12: Second take-home assignment due]
April 12:
Discussion of The Eumenides.
April 14: New Acting Theory:
Phillip B. Zarrilli, Introduction in Acting (Re)considered (Canvas), 4:48 Psychosis by Sarah Kane in Psychophysical Acting: An Intercultural Approach after Stanislavsky (Canvas), Royd Climenhaga, Simon Murrah, Jacques Lecoq, Monika Pagneaux and Philippe Gaulier: Training for Play, Lightness, and Disobedience in Actor Training (Canvas), and Anne Bogart and Siti Company: Creating the Moment in Actor Training (Canvas).
April 19: Theatre of Images:
Elizabeth LeCompte, An Introduction (Canvas), and Spalding Gray, Rumstick Road (Canvas).
[REQUIRED THEATREGOING (if we can
arrange it): Machinal, EgoPo
Theatre, The
Latvian Society, 531 N 7th St, starting
April 20.]
April
21: Devised Theatre:
Guest: Brooke OHarra, co-founder and artistic director, The Theatre of a Two-Headed Calf (and new member of the Theatre Arts Program faculty); readings to be announced.
April 26: catch-up and conclusions
There will be TWO take-home essay assignments (approximately 5 pages), plus a final term paper (approximately 10-12 pages), due by NOON on Monday, May 3. The topic for the final term paper must MUST BE APPROVED IN ADVANCE, in person, by April 22.
Grading Breakdown:
Preparation and Participation: 20%
First take-home assignment: 20%
Second take-home assignment: 20%
Final Paper: 40%
Attendance in class is crucial; CHRONIC ABSENCE OR LATENESS WILL BE COUNTED AGAINST YOU.
Please
familiarize yourself with the rules of academic integrity, at www.vpul.upenn.edu/osl/acadint.html. I will rigorously pursue violations of
the code.
The following books can be purchased at the Penn Book Center, 34th and Sansom Sts.:
Henrik Ibsen, Four Plays
Anton Chekhov, Four Plays and Three Jokes
Robert Leach, Makers of Modern Theatre
Sophie Treadwell, Machinal
Bertolt Brecht, The Caucasian Chalk Circle
Samuel Beckett, Endgame
Caryl Churchill, Cloud Nine
Suzan-Lori Parks, The America Play
Sarah Kane, 4.48 Psychosis
* * *
For those interested in keeping track of Theatre Arts Program activities and classes (including information on performance and work opportunities), visit our website:
www.sas.upenn.edu/theatrearts/