(Associate Professor, Folklore) received his Ph.D. in English from the University of Pennsylvania. He is the author of a book on African-American men's poetry, Deep Down in the Jungle. He helped to create the field of modern folklore study, specifically the performance-theory style of research, which moved to study folklore not as isolated texts but as socially- contexted expressive events. He continues to work on African-American folklore of various kinds, and has recently been interested in the theory and study of display events (festivals, protests) and of marketplace culture. He also continues to work on the development and history of folklore theory. He teaches classes on Festival Theatre on behalf of the Theatre Arts Program.

Nancy Bentley received her Ph.D. from Harvard with a specialization in American literature and culture. She also teaches and publishes in the areas of law and literature, African-American literature, and modern social theory.

Much of Bentley’s scholarship explores the role of the imagination as an active component of the social. Her first book, The Ethnography of Manners (1995), examines fiction and ethnography as related forms for analyzing social life. In 2005 her book High Literary Forms and Mass Culture was published in Volume 3 or the Cambridge History of American Literature. She is currently completing a study entitled Kinship and Wayward Affiliation in the American Novel, 1850-1913. This book explores the way writers imagined an “Americanization” of kinship, the view that life in the New World (the American continent and the West Indies) posed the danger––or the  (more...)

Max Cavitch joined Penn's faculty in 1999, after receiving his B.A. from Yale and his Ph.D. from Rutgers.  He teaches all forms and phases of American literature from the beginnings of English contact and settlement to the present day.  His teaching and research interests also include gender and sexuality studies, historical poetics, and cinema.  His book American Elegy: The Poetry of Mourning from the Puritans to Whitman was recently published by the University of Minnesota Press. He has also published essays on a variety of topics in the journals American Literary History, American Literature, Contemporary Psychoanalysis, Early American Literature, Screen, and Victorian Poetry.  He has been the recipient of fellowships from the Charlotte W. Newcombe Foundation, the Massachusetts Society of the Cincinnati, the Penn Humanities Forum, and Cornell's Society for the  (more...)

Peter Conn is Professor of English at the University of Pennsylvania. His publications include The Divided Mind: Ideology and Imagination in America, 1898-1917 (Cambridge University Press, 1983; paperback editions, 1988 and 2008), and Literature in America (Cambridge University Press, 1989), which was a main selection of Associated Book Clubs (UK). Pearl S. Buck: A Cultural Biography (Cambridge, 1996; Paperback 1998), was chosen as a "New York Times Notable Book," was included among the five finalists for the National Book Critics Circle award in biography, and received the Athenaeum Award.

Conn's next book, The American 1930s: A Literary History, will be published by Cambridge in 2008. His books and chapters have been translated into eight languages, including Chinese, Spanish, Romanian, and Korean. He has lectured at the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts, the Whitney Museum, and other institutions, on a number of  (more...)

Thadious M. Davis, Geraldine R. Segal Professor of American Social Thought and Professor of English, received her Ph.D. from Boston University. Her teaching areas include African American literature and Southern literature with an emphasis on issue of race, region, and gender. Her research interests are interdisciplinary: geography and African American writers; photography and Southern women; film and literary modernism; visual culture and the Harlem Renaissance; civil rights law and narrative fiction.

She is the author of Games of Property: Law, Race, Gender, and Faulkner’s Go Down, Moses (2003), Nella Larsen, Novelist of the Harlem Renaissance (1994; paper 1996) and Faulkner’s “Negro”: Art and the Southern Context (1982), and the editor of numerous reference texts, including the Penguin Classic editions of Nella Larsen’s Passing (1997) and Quicksand (2002), and the co-edited Satire or Evasion: Black Perspectives on Huckleberry Finn (1992). She is currently writing a  (more...)

Amy Kaplan received her Ph.D. from The Johns Hopkins University, with a specialty in late-nineteenth-century American literature. Working in the interdisciplinary field of American studies, she teaches courses on the culture of imperialism, comparative perspectives on the Americas, and mourning, memory and violence. Her first book, The Social Construction of American Realism, was published by the University of Chicago (1988). She co-edited with Donald Pease, Cultures of U. S. Imperialism (Duke, 1993). Her new book, The Anarchy of Empire in the Making of U.S. Culture, was published by Harvard University Press in 2002. She has received an NEH Fellowship and the Norman Forster prize for the best essay in American Literature in 1998 for "Manifest Domesticity." She has published recent essays on 9/11 and Guantanamo and is currently working on the language and culture of empire today. She has recently published "Imperial Melancholy in America" in  (more...)

David Kazanjian received his Ph.D from the University of California, Berkeley, his M.A. from the University of Sussex, and his B.A. from Stanford University. His area of specialization is transnational American literary and historical studies through the nineteenth century. His additional fields of research are political philosophy, continental philosophy, colonial discourse studies, and Armenian diaspora studies. His book The Colonizing Trick: National Culture and Imperial Citizenship in Early America (Minnesota, 2003) offers a comparative study of colonial and antebellum, racial and national formations, and a critique of the formal egalitarianism that animated early U.S. citizenship. He has co-edited (with David L. Eng) Loss: The Politics of Mourning (California, 2003), as well as (with Shay Brawn, Bonnie Dow, Lisa Maria Hogeland, Mary Klages, Deb Meem, and Rhonda Pettit) The Aunt Lute Anthology of U.S. Women Writers, Volume One: Seventeenth through  (more...)

Yolanda Padilla is assistant professor of English at the University of Pennsylvania.  She earned her undergraduate degree from the University of California, Davis, and her Ph.D. from the University of Chicago.  Her area of specialization is U. S. Latina/o literature and culture, with additional interests in hemispheric studies, border studies, race and ethnicity in literature, and in questions of literary production and reception.  She is currently working on a book manuscript that examines the role of the Mexican Revolution in shaping early Mexican American letters and politics.  The project studies relatively neglected authors such as Ricardo Flores Magon, Josefina Niggli and Luis Perez, and more familiar writers such as Americo Paredes and Jose Antonio Villareal.  She has coedited (with William Orchard) The Plays of Josefina Niggli:  Landmarks of Latino Literature (Wisconsin, 2007).